Just Above Midtown: Changing Spaces
Linda Goode Bryant’s gallery and experimental space gave prominence to black artists and artists o...
Lucian Freud: New Perspectives
This thought-provoking exhibition attempts to shift our attention away from the myths that surround ...
Kamala Ibrahim Ishag: States of Oneness
Women and plant forms are intertwined among primal patterns and symbolism in Kamala Ibrahim Ishag's ...
Jorge Tacla: Stagings/Escenarios
The 1973 coup in Jorge Tacla’s mother country and the brutal dictatorship of General Pinochet that...
Jadé Fadojutimi: Can We See the Colour Green Because We Have a Name for I...
In this small but vibrant new body of work, Jadé Fadojutimi ’s fluid and colourful paintings seek...
Lubna Chowdhary – interview: ‘Erratic is a useful analogy for a diaspo...
With swooping forms and blazing colour, Lubna Chowdhary explores the grey areas between east and wes...
Katie Paterson – interview: ‘It’s a living project, changing and sur...
Future Library is artist Katie Paterson’s prayer that trees, literature and the human imagination ...
Jacquiline Creswell – interview: ‘When I first sited art in Salisbury ...
When Jacquiline Creswell joined Salisbury Cathedral as arts curator, she was verbally and physically...
Lucia Pietroiusti – interview: ‘Art can do a million things, from acce...
The curator, ecological activist and consultant Lucia Pietroiusti discusses the power of artists to ...
Karen Kilimnik: Early Drawings 1976-1998
Sprüth Magers takes us on a whistle-stop tour through the American artist Karen Kilimnik’s early ...
Jonathas de Andrade: With the Heart Coming Out of the Mouth – Venice Bie...
Giant ears, a massive inflatable heart and a disembodied head – Jonathas de Andrade explains why h...
Langlands & Bell: Ideas of Utopia, Near Heaven, and Absent Artists
Visitors to Charleston will be treated to three intriguing shows from Langlands & Bell, including th...
Leeroy New – interview: ‘I am trying to challenge myself to use only r...
Filipino multimedia artist Leeroy New has just “docked” three “ships” made of bamboo and was...
This is a first-in-a-generation opportunity to see Joan Mitchell’s works, and its chronological fo...
Libby Heaney – interview: ‘The point of the work is to destabilise you...
The physicist and artist Libby Heaney talks about using her scientific knowledge in her art, how tec...
Lawrence Calver: Under the Sun
These large textile works, in which Lawrence Calver stretches, bleaches and stains recycled or repur...
Jasmina Cibic – interview: ‘I’m drawn towards the political psycholo...
Jasmina Cibic talks about the ideas, people and moments in history that inspire her artistic practic...
Julian Perry – interview: ‘It’s about wanting to create spaces that ...
Despite describing himself as a ‘devout atheist’, an altarpiece takes centre stage among Perry...
Jasia Reichardt – video interview: ‘It’s not really labour … It’...
Jasia Reichardt discusses the newly published archive catalogue she has collated and curated over 20...
John Yau – interview: ‘America is still about two colours: black and w...
John Yau talks about promoting inclusivity, changing how history is viewed, and the importance of th...
Joan Semmel – interview: ‘I was simply not excluding those who did not...
With a retrospective at the Pennsylvania Academy of the Fine Arts covering 60 years of work, from he...
Julie Mehretu: Cities in the maelstrom – an essay
Julie Mehretu is known for her vast abstract paintings referencing everything from capitalism and gl...
Lakwena Maciver– interview: ‘I like to think my work will bring hope t...
The London-based artist discusses painting colourful works to counteract life’s grey realities, he...
Julien Creuzet: Too blue, too deep, too dark we sank …
Sculpture, film and music blend in the French-Caribbean artist’s striking exploration of the legac...
Katya Kvasova – interview: ‘People say that whatever someone paints or...
Katya Kvasova talks about her interest in hands, her artistic training, and her method of layering g...
Life Between Islands: Caribbean-British Art 1950s – Now
Featuring 46 artists, this long-overdue examination of the complex interrelationship between the Car...
Khvay Samnang: Calling for Rain – Amartey Golding: Bring Me to Heal
Khvay Samnang uses Cambodian dancers to conjure stories of environmental disaster and recovery, and ...
John Nash: The Landscape of Love and Solace
Remembered for the moving scenes of the first world war John Nash painted as an official war artist ...
Karlo Kacharava: People and Places
The referential, finely wrought paintings and drawings of the rediscovered Georgian artist Karlo Kac...
This is Turner-prize winner Lubaina Himid’s largest solo show to date and it does not disappoint...