Defying the pandemic and housed in a radiant new show space, New York’s pre-eminent art fair belied the declared brief of its owner, Merchandise Mart Properties Inc, to prioritise quality over eye candy.
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The artist talks about art-making as catharsis and why, for him, it is all about the creation of visual fiction.
As his first London gallery show opens, the Brooklyn-based artist talks intimacy, immediacy and queer subjectivity.
Directed by Andreas Koefoed, this riveting documentary about the controversial Salvator Mundi, the most expensive artwork ever sold, exposes a tale of global power, money and politicking.
Ahead of his new exhibition at Alison Jacques Gallery, the Scottish painter talks about the male gaze, motherhood and the mountains of the mind.
Well-researched, accessible and bringing new insights to the works of the period, this is not a book to be rushed. Delvings into the complexities of this intriguing era and how it shaped art, Wolf instils the desire to know more.
Krishanu, whose figurative paintings explore childhood, religion, colonialism and empire, talks about why he works from photographs, his hope that viewers will inhabit the people in his paintings, and his inclusion at a forthcoming show at the Hayward Gallery.
A dizzying array of 400 years of artworks from the capital is testimony to the ability of the Japanese people to reinvent themselves.
As she prepared for her first solo UK show, at the Pippy Houldsworth Gallery in London, Heisch spoke of how these new works are very much summer paintings, with the colours used to radiate energy, exuberance and motivation.
A snappy group show offers a snapshot of Hungarian art today, as filtered through the influence of the conceptual polymath Dóra Maurer.
This riveting exhibition of 24 of Wong’s ink drawings takes us deep into the complex, and unsettling oeuvre of the artist, whose tragic death lends additional intensity to the show.
With work from 1960 to 2000 reproduced as found, with rubbings and calculations, Jaray’s book offers a rare insight into the creative act.
The artist talks about her residency at Watts Gallery – Artists’ Village responding to the work of Henry Scott Tuke – both his plein air paintings of boys on the beach, but also his interest in mythology.
Thirty-five vast black-and white photographs transport us to unbearably beautiful and heartbreakingly fragile locations at the furthest reaches of the globe.
Kortei subverts traditional practices, using alternative materials and approaches to the construction and framing of paintings in her broader comment on the fight for racial equality in the art world and beyond.
The artist speaks about her exhibition at the Sainsbury Centre, the landscapes within us and why rabbits are so special.
Hirasawa uses a thermal imaging camera to make portraits of people. He explains what drew him to this way of working.
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An al fresco pop-up, showing 20 life-size reproductions of ‘the nation’s favourite paintings’, alongside free art activities, is bringing some of the National Gallery’s most famous pictures to a wider audience.
The artist talks about how the Covid lockdown – and increased awareness of social injustice and racial discrimination – radically changed her ideas for her latest show.
With the Covid-19 pandemic still causing major disruption in many parts of the world, three artists, from Argentina, Germany and India, talk about the effect it has had on their work.
