O’Malley says she wants her Irish Pavilion installation to be a welcoming space, for visitors to ‘feel the power and the height and weight of things’.
From the shed blown up by the British army to drone-shot footage of the Commons Chamber to a new work referencing Brexit, from the vast to the intimate, this major survey takes us through 30 years of Parker’s work.
Known for naming the domain of ‘bio-art’ and for his creation of a ‘green glowing bunny’, Kac is also a substantial pioneer of digital art. Here, he talks about his current ‘mini retrospective’ in New York.
In this fantastically creative play space, children have worked with the Turner-prize winning architectural practice Assemble to bring to life the ideas of the modernist architect Lina Bo Bardi.
The American artist discusses her new film work, Bloodlines, a masterful exploration of class, ownership and time glimpsed through the movement of George Stubbs’s paintings.
The curator, ecological activist and consultant discusses the power of artists to imagine everything from Golden Lion-winning eco-operas, to festivals exploring our relationships with nature.
From a 3,000-year-old Phoenician ivory relief of a temple prostitute to Rembrandt’s Girl at a Window to Wolfgang Tillmans’ photographic portrait of female techno DJ Smokin’ Jo, this ambitious exhibition emphasises the relationship between the act of looking and being looked at.
Sprüth Magers takes us on a whistle-stop tour through the American artist’s early drawings, pulling us into a unique imaginative world.
As the first survey of Oiticica in London in 15 years goes on show at the Lisson Gallery, its curator, Ann Gallagher, talks about the Brazilian artist’s vibrant, sensual works.
Giant ears, a massive inflatable heart and a disembodied head – De Andrade explains why he has filled the Brazilian Pavilion with an odd assortment of body parts.
The conceptual artist and film-maker explains why seeing Neil Armstrong walk on the moon had such a strong influence on him, why he is so reluctant to define his work as painting – and why he once spent his Sundays painting over a shop window, then returning to watch the shopkeeper scraping it off.
This fascinating book is as much about the history of Stalinist Russia as it is about Boris Iofan, the architect whose grand buildings defined the era, yet whose work was so closely tied to the dictator’s whims.
Led by Fondazione Merz, a new arts centre in Palermo hopes to engage local people with contemporary art, while retaining strong links to the capital’s history.
A treasure trove of an exhibition surveys the late Italian master’s exploration of books and paper, which provide a gentle complement to his painting and sculpture.
This thrilling show lays out the full spectrum of the Renaissance artist’s output, from his architectural prowess to his almost sculptural portraits.
In the darkness of the Icelandic Pavilion, Sigurður Guðjónsson talks about his monumental video work – a visceral experience, its scale and form resonant with its architectural setting and enhanced by a primal soundtrack.
In the run up to his exhibition in Venice during the 59th Biennale, the internationally renowned Portuguese artist talks about the museum he keeps in his mind, and why he will never be pinned down to a particular form of art.
This is a poignant and deeply personal show, and sadness permeates the works, done during lockdown and in the final months of her husband’s life.
Sculptures and drawings, set in the very place they were created, along with Moore’s own vast collection of press cuttings, brings us close to an artist, who though in his 60s, had lost none of his power.
Visitors to Charleston will be treated to three intriguing shows from Langlands & Bell, including their own works exploring the idea of utopia, an intervention in Vanessa Bell’s attic studio, and a collection the duo have curated of works from other artists.
As his first solo show outside India takes place at David Zwirner in London, Baliga explains why pain and suffering, both his and that of others, are at the root of all his paintings.
Can art create a country? Two concurrent exhibitions in Paris showcase the artists who forged Finland’s identity against Russian dominance.
From her small woven minimes to installations that stretch from floor to ceiling, Hicks’s colourful, tactile works, spanning a 70-year career, are a delight to behold.