The painter Kaoruko is a slight, softly spoken Japanese woman who walks with inaudible steps and has...
Alice Hope likes working with small things, lots of them. They can be – and often are – tiny met...
Lilly Wei talks to the director of Eli and Edythe Broad Art Museum at Michigan State University. Des...
Zhang Enli, interview, Hauser & Wirth, London. We came to see Zhang’s current exhibition at Hauser...
Alfredo Jaar was born in Santiago, Chile, in 1956. He attended the Chilean-North American Institute ...
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Tim Rollins and KOS’s Angel Abreu and Rick Savinon: interview
In 1981, when he was 26, Tim Rollins was asked to develop a curriculum for an intermediate school in...
Esme Toler and Olì Bonzanigo: interview
Esme Toler and Olì Bonzanigo are the creators of 13th Hour (2014), a sculpture on the roof of L’B...
Anna Raimondo is an Italian artist based in Brussels and working internationally. She describes hers...
Alex Warren and Tobias Ross-Southall, directors of Eleanor: interview
An extraordinary collaborative enterprise (displayed at the Cob Gallery Camden as a three-screen ins...
In 2013, exhibitions by London- and Berlin-based Artists Anonymous were held across Europe, in Essen...
Xu Bing, the internationally acclaimed Chinese conceptual artist who works in a variety of disciplin...
Agnes Denes (b1931) is a Budapest-born artist based in New York, whose career spans 46 years. A pion...
The Alison Jacques Gallery presents the third solo exhibition of Ryan Mosley’s paintings. Through ...
When Liliane Lijn (b1939) invites us to her studio in north London, on one of the wettest and windie...
Martin Creed (b1968) became the Marmite subject of much art-world discussion when he won the Turner ...
Kurt Jackson, one of Britain's most celebrated landscape painters, talks to Studio International abo...
Tomás Saraceno’s work encompasses utopian architectural proposals exploring his ideas for a susta...
The multimedia artist Mark Fox has a selection of his recent work on display at the Robert Miller Ga...
Peter Howson grew up in Glasgow in the 1960s and attended Glasgow School of Art from 1975 to 1979. I...
Interview with John Mellencamp
The celebrated rock musician John Mellencamp is also a painter of note, his work the subject of a su...
Using a carefully balanced combination of PVA glue and acrylic paints – the precise measures of wh...
After I had seen Brooklyn-based artist Anita Glesta’s travelling multimedia installation Gernika/G...
At the opening of Kara Walker's first UK exhibition, we spoke to her about her work, which is a dark...
Philomene Pirecki has just been shortlisted for the Max Mara Art Prize for Women. In addition to thi...
Interview with Dorothea Rockburne
How easy is it to imagine drawing that makes itself, and why should drawing make itself to begin wit...
Jill Spalding talks to American sculptor Alice Aycock
Though best known for her elaborate constructions in wood and metal, Alice Aycock is collected as wi...
Janet Cardiff’s Sound Sculpture
The Forty Part Motet, a sound installation by Canadian artist Janet Cardiff, is not so much a sight ...
Professor Mechal Sobel discusses her research on Bill Traylor
Studio International spoke with Professor Sobel about her interest in Traylor, the influence of Afri...
Bedwyr Williams is currently representing Wales at the Venice Biennale with The Starry Messenger. He...
Ibrahim El-Salahi: A Visionary Modernist
Miguel Benavides talks to Ibrahim El-Salahi about his Sudanese heritage, his time in prison on unfou...
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