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Lynda Benglis: ‘I think artists create their own rules’

Here, the artist who was once dubbed the “heir to Pollock” and shocked the art world in 1974 by ...

Morehshin Allahyari: ‘Suddenly, I had the opportunity of making art with...

The Iranian-born artist, who moved to the US in 2007, talks about important concepts in her work, in...

Janet Biggs: ‘This project traces my very specific memories of my family...

The video and installation artist talks about her latest exhibition, in which she worked with neuros...

Fernanda Chieco: ‘I go searching for stories’

The Brazilian artist talks about art residency programmes, and how one led her to look at haunted ho...

Haris Epaminonda: ‘I imagined the Cypriot landscape to be the main prota...

Haris Epaminonda talks about the making of her four-channel video installation Chapters, filmed in h...

Toyin Odutola: ‘I’m no longer interested in portraying what I think I ...

Toyin Odutola talks about why she loves pen and ink, where she gets the inspiration for her titles, ...

Frederick Wiseman: ‘National Gallery shows more about the ambivalence, d...

The American film-maker Frederick Wiseman talks about his latest documentary, a portrait of the Nati...

David Altmejd: ‘I believe in the power that art has to generate meaning...

Canadian artist David Altmejd, known for his fantastical sculptures and installations, discusses his...

Saba Qizilbash: ‘I always attempt to speak from personal eye level’

The Pakistani-born artist says much of her works have been in response to stages in her personal lif...

Basim Magdy: interview

Basim Magdy reveals a world of colour in his films and photographs. The critically acclaimed Egyptia...

Lynn Hershman Leeson: ‘I’ve always been interested in the exchange bet...

The US artist Lynn Hershman Leeson, known for her performance art and film-making, talks about her l...

Trish Wylie interview: ‘Wylie provides a hotline to the gods of the silv...

Studio International has come to north west London to visit the painter Trish Wylie in her studio....

Thomas Allen: ‘I want my cave to offer an escape’

Thomas Allen talks about his background in sociology, how his latest work relies on the scribbles of...

Gail Pickering: ‘I was interested in the histories of community video pr...

The London-based artist Gail Pickering talks about her recent major exhibition at Baltic Centre for ...

Valerie Hird – interview: ‘Drawings are documents of honest and wonder...

US artist Valerie Hird studied archaeological illustration and then painting before becoming a compu...

Jessica Stockholder: ‘Art changes, taking account of the present moment...

Jessica Stockholder talks about her work, which combines painting, sculpture, installation and langu...

Nina Lola Bachhuber: ‘The creative process is like a virus in my brain’

The Munich-born artist’s delicate drawings depict invented characters that are then given form in ...

Sam Belinfante: ‘For galleries, sound is still a terrifying prospect’

Sam Belinfante talks about the role of listening in the visual arts and the challenges he faced in c...

Dan Coombs: ‘Art is grounded in reaching for the real’

The artist talks about how he hoped his recent exhibition, Suspicion, would answer his 20-year quest...

Maggi Hambling: ‘Some paintings you’ve just got to cut up. There’s e...

Maggi Hambling talks about the sea, life, death and love in her work, how, despite being nearly 70, ...

Brian Bress: ‘I come to video with the agenda of a painter’

Brian Bress is an innovative multimedia artist who creates works that combine painting, drawing, ani...

Kennedy Browne: ‘With the internet there is no final cut’

Irish artist duo Kennedy Browne talk about how their work has been shaped by free-market triumphalis...

Marie Jacotey – Dolly

One of this year’s Bloomberg New Contemporaries, 26-year-old, Paris-born Marie Jacotey is exhibiti...

Matt Copson: interview

Emerging artist Matt Copson’s alter ego is a vengeful fox named Reynard. Using ancient European fo...

Bloomberg New Contemporaries 2014

Studio International attended the opening night of Bloomberg New Contemporaries at the Institute of ...

Milou van der Maaden: interview

Dutch artist Milou van der Maaden graduated from the Slade School of Fine Art this year and instantl...

Charles Richardson: interview

Recent Slade graduate Charles Richardson has hit the ground running. This year, in addition to his i...

Nacho Carbonell: ‘I try to communicate to many people through objects’

Nacho Carbonell makes collectable pieces that span the fields of art and design. On the occasion of ...

Janenne Eaton: ‘My work is deeply political’

Melbourne-based artist Janenne Eaton talks about the inspiration behind her recent installation, Roa...

Alberto Biasi: interview

In conversation with Studio International, Biasi reveals the singular motivations behind his work an...

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