Studio International spoke to co-curator, Jon Wood, from the Henry Moore Institute, and Jill Constantine, head of the Arts Council Collection, about how the exhibition came about and what its main themes are.
Following on from exhibitions of the work of Garth Evans (2013, curated by Richard Deacon) and Uncommon Ground: Land Art in Britain 1966-79 (2014), which between them covered the period from 1959-1982, where sculptural practice was very much ephemeral, conceptual, or based on performance, this current exhibition looks at the early 80s, a time when sculptural practice in the UK went back into the workshops to experiment with a completely new approach of assembling.
With half the exhibits drawn from the Arts Council Collection’s own rich holdings, and with women artists featuring prominently, this exhibition celebrates the treasury of British sculpture from the years leading up to the death of Henry Moore (himself not included, but with a parallel exhibition of his work, Back to a Land, on show in the Yorkshire Sculpture Park’s Underground Gallery and open air).
A number of artists rose to prominence during this period, but there has been a lack of publications and survey exhibitions – until now. The exhibition is complemented by an excellent publication featuring insightful essays by 12 critics, writers, gallerists and curators.
Making It: Sculpture in Britain 1977-1986
A Touring Exhibition from the Arts Council Collection
Longside Gallery, Yorkshire Sculpture Park
1 April – 21 June 2015
Interview by ANNA McNAY
Filmed by MARTIN KENNEDY
Click on the pictures below to enlarge
Munch: The Problem With Women
This timely showing of 60 various graphics in all, some six of which are from the Gallery's own collection, focuses on Munch's lithographs, woodcuts, dry-point prints plus one etching, from the years 1895–1915.
A Delicate Game of Cat-and-Mouse
Interviews with Artists 1966-2012 by Michael Peppiatt. Yale University Press, 2012. The experience of art is not merely a matter of looking at it, but thinking and talking about it. For nearly 50 years, English critic and biographer Michael Peppiatt has been getting artists to talk about the art they create, offering readers ways to consider the art they see, and sparking curiosity about the artists who made it.
Ziegler’s current show at Simon Lee follows two other successful solo exhibitions, most recently The Alienation of Objects at 176 in London, as well as several group exhibitions from Finland to China. His work fuses enchanting, pale detachment with a sense of fantasy and freedom – an overall compelling and original adventure that builds with each new project
GSK Contemporary, Earth: Art of a changing world
The Royal Academy in London, joining with sponsors GlaxoSmithKline, opened this new exhibition on 3 December. The central theme relates to global warming, an issue, which has increasingly preoccupied statesmen, politicians, scientists and creative artists around this imperilled world.
Gormley's Plinth: One and Other
One and Other. Trafalgar Square, London, 6 July – 14 October 2009. Every hour, 24 hours a day for 100 days. Nick Howard’s photos and comments, Trafalgar Square, 7 July 2009.