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Published  30/11/-0001
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Regine Bartsch: ‘I’m drawn to these places where many people have live...

In her studio in southern Ireland, the German-born artist spoke about her recent exhibition and resi...

Katie Schwab: ‘I like the idea that works can begin to generate their ow...

Keen to learn traditional, craft-based skills, the artist explains why she is drawn to processes whe...

Xu Yong – interview: ‘Negatives act as witness’

Twenty-five years after Tiananmen Square, the Beijing-based photographer Xu Yong took the brave deci...

Raqib Shaw: ‘I really don’t give a fuck about the so-called contempora...

In his converted home and studio in east London, surrounded by dogs, myriad staff, an exquisitely ke...

Dana Schutz: ‘I think of the viewer as the painter’

The artist talks about deciding to become a painter when she was 14, how Alice Neel and the Velvet U...

Michael Joo: ‘I was taken by the fact that there was a space that was in...

The New York-based conceptual artist Michael Joo talks about growing up among scientists, what drew ...

Kate Whiteford: ‘By confronting simple questions, bigger ones emerge. Th...

The artist talks about her new work, now on show at the Mercer Art Gallery in Harrogate, looking at ...

Alice Channer: ‘The area in between the subject and the object is the ar...

The artist, who used everything from cigarette ash to microbeads to create her work, talks about cyb...

Cui Xiuwen: Light

Cui Xiuwen is a conceptual artist best known internationally as a video filmmaker and photographer. ...

Winifred Knights (1899-1947)

Knights was a prodigious talent, yet she has been virtually ignored for the past half a century. Now...

Lamia Joreige: ‘Anything you film in a certain reality at a certain mome...

The artist, one of seven finalists included in the Artes Mundi 7 exhibition, talks about her project...

This is a Voice

This intriguing exhibition attempts to capture the elusive nature of the human voice, with live perf...

Tim Slade: ‘The whole point about erasure is to allow you to pretend tha...

The Destruction of Memory charts the global loss of historic artefacts through war and terrorism. It...

Mariko Mori: ‘The ring is a symbol of oneness, completeness and eternity...

The artist talks about her mission to place site-specific artworks honouring nature on the six habit...

Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...

The Bolognese artist uses everyday materials and plastics to replicate natural folds and textures in...

Marie Yates: ‘In my view, everything is textual, and a text is visual’

A woman artist working conceptually with the landscape since the 1970s, Yates’s work has often bee...

Jennifer Wen Ma – interview: ‘Throughout history, humans have been try...

Jennifer Wen Ma talks about her new installation, Molar, at Cass Sculpture Foundation, created as a ...

Claire Shea: ‘We were really keen to look at an expanded definition of s...

As the Cass Sculpture Foundation stages its first exhibition of works commissioned by international ...

Philip Hunter: ‘I’ve developed an approach to painting that emulates t...

The Australian artists talks about the influence of Sidney Nolan, his most recent body of works, Geo...

Rana Begum: 'I love using readymade materials in the work'

Studio International visited Rana Begum in her studio in north-east London to talk to her about her ...

Georgiana Houghton: Spirit Drawings

She was an abstract painter out of time, a visionary and a maverick, but Georgiana Houghton was also...

Yun-Fei Ji: ‘I’m pessimistic about China’

He may use scrolls and work in ink in the millennial-old tradition of Chinese landscape painting, bu...

Manolo Valdés: ‘I only like apples if they look like Cezanne’s apples...

Like a magpie, taking fragments from works of art that he loves and reinterpreting them in new paint...

Harland Miller: ‘Brevity is no strength of mine’

The writer and artist discusses Berlin, Bowie and alter egos, his show with Blain Southern, and why ...

Dóra Maurer: ‘My work has been based on change, shifting, traces, tempo...

As a new exhibition surveys her 50-years career, the Hungarian artist talks about colour, maths and ...

Almuth Tebbenhoff: ‘I’m wrestling with ideas that are way out of my co...

The sculptor talks about the perpetual puzzle of the cosmos and its vastness, eternity and the meani...

Anthony McCall: ‘I wondered if it would be possible to make a film that ...

The artist, a key figure in the avant-garde London Film-makers’ Co-operative in the 1970s, discuss...

Cory Arcangel – interview: ‘Making art is just basically dowsing’

Brooklyn-based artist Cory Arcangel talks about his latest show at the Lisson Gallery in London, bil...

Katie Paterson: ‘As a child, I used to practise daydreaming’

With her largest UK show to date currently on at the Lowry, the artist talks about the relationship ...

Elizabeth Price: ‘I’m interested in music and the voice because it bri...

Studio International visited the artist in her studio in south-east London to talk to her about her ...

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