Todd Oldham: ‘I wasn’t very fashionable, so it was to our advantage th...
The New York-based designer talks about designing $10,000 dresses, his aversion to using animal mate...
Arnaldo Pomodoro: 'Sculpture is the appropriation of one’s own space wit...
As Italian sculptor Arnaldo Pomodoro has his first London exhibition for more than 50 years, he talk...
Philip Pearlstein: ‘I decided I didn’t want to express other artists...
The American artist has pursued an independent path for more than 60 years. Here, he talks about his...
Bernard Jacobson: ‘I want to bring people back to art’
The art dealer talks about his current exhibition, Bonheur de Vivre, which he considers ‘a precis ...
Comix Creatrix: 100 women making comics
This is a groundbreaking exhibition of female comics artists, from Hogarth’s contemporary Mary Dar...
Terry Setch: ‘I regarded the beach as a playground – somewhere you can...
The artist explains his practice, recalling memories of the beach at Penarth and his desire to exten...
Kelly Chorpening: ‘The whole relationship between image and object or bu...
Studio International visited Horatio Junior gallery in southeast London to talk to the American arti...
Three Generations: Passing on the Eyton drive
As they prepare for their first exhibition showing together as a family, Anthony Eyton RA and his sc...
Russia and the Arts: The Age of Tolstoy and Tchaikovsky
This exhibition introduces visitors to the talents and turmoil of the Russian arts scene from 1867 t...
Heidi Kilpeläinen: ‘In a way, I suppose I’m making my reading of the ...
The London-based Finnish artist talks about her multidisciplinary practice and her recent residencie...
Nico Vascellari: ‘I’m not interested in the rules or breaking them. I ...
The artist talks about how touring in a band influenced his work, despising morality in art, how we ...
Mark Wallinger: ‘Even the ugliest mark, with symmetry, gains some kind o...
After months of psychoanalysis, the Turner Prize-winning artist reveals something of his inner self ...
Colin Self – interview: ‘I want to be devoid of the art world and padd...
On the occasion of his exhibition at London’s Mayor Gallery, Colin Self, the most singular of Brit...
Sergio Caballero: ‘I’m interested in the creative process. I couldn’...
The Spanish artist, composer, film-maker and director of Barcelona’s Sónar Festival talks about h...
Lin Tianmiao – interview: ‘Thread winding taught me to be patient’
Multidisciplinary artist Lin Tianmiao talks about incorporating weaving, sewing and embroidery into ...
Andrea Ponsi: ‘I draw, therefore I am’
The architect, designer, writer and painter on how he went from building his own shelter in a South ...
Botticelli and Treasures from the Hamilton Collection
Botticelli’s delicate illustrations of Dante’s The Divine Comedy steal the show in this exhibiti...
Chantal Joffe: ‘I want to make the painting feel like the person’
The artist talks about what she seeks to capture in a painting, how motherhood changed her, and why ...
Conrad Shawcross: ‘It looks like a wonder of the world’
Conrad Shawcross talks to Studio International about his new public sculpture, Paradigm, and shows u...
Joe Graham: ‘Anchor is not quite a book about drawing, and yet it’s no...
His new book, Anchor, presents 14 responses to the question: What is an outline? Here, he explains w...
![Julien Prévieux, Atelier de dessin - B.A.C. du 14e arrondissement de Paris [Drawing workshop - B.A.C. of 14th district of Paris], 2011-2015. Ink on paper, variable dimensions. Courtesy Galerie Jousse Entreprise, Paris.](/images/articles/p/previeux-julien-2016/smallpix/Previeux_AtelierBac01-300.jpg)
Julien Prévieux: ‘Humour is a good fighting trick’
From ‘hacking’ Google to responding to ads to tell employers why he doesn’t want their job, th...
Maha Malluh: ‘I don’t see the point in creating new objects while we h...
The Saudi Arabian artist talks about the allure of working with found objects, why she considers gen...
Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...
The founder member of Assemble, which last year became the first architectural practice to win the T...
Hector McDonnell: ‘My paintings have always been about personal experien...
As well as a realist painter, of everything from Northern Ireland’s infamous Maze prison to Rwanda...
Andy Warhol: Works from the Hall Collection
With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibitio...
Superflex’s Rasmus Nielsen: ‘I would not call us do-gooders, but maybe...
Superflex, Jakob Fenger, Rasmus Nielsen, Bjørnstjerne Christiansen, Copenhagen, Denmark, Jerwood Vi...
Collateral Drawing: ‘It’s like revealing the magic trick’
Co-curators and artists from the ongoing Collateral Drawing project reveal insights into their worki...
Alice Anderson: ‘I don’t refuse this world, I just need to explore alt...
The artist talks about her unique method of “memorising” and “recording” objects in copper w...
Odili Donald Odita: ‘I want to use colour to have an effect on the mind ...
Known for his vibrant, large-scale, abstract paintings, the artist talks about his influences, from ...
Painting the Modern Garden: Monet to Matisse
The walls of this exhibition tremble with the vibrant blooms of summer days. Gardens have inspired a...
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