Lamia Joreige: ‘Anything you film in a certain reality at a certain mome...
The artist, one of seven finalists included in the Artes Mundi 7 exhibition, talks about her project...
This intriguing exhibition attempts to capture the elusive nature of the human voice, with live perf...
Tim Slade: ‘The whole point about erasure is to allow you to pretend tha...
The Destruction of Memory charts the global loss of historic artefacts through war and terrorism. It...
Mariko Mori: ‘The ring is a symbol of oneness, completeness and eternity...
The artist talks about her mission to place site-specific artworks honouring nature on the six habit...
Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...
The Bolognese artist uses everyday materials and plastics to replicate natural folds and textures in...
Marie Yates: ‘In my view, everything is textual, and a text is visual’
A woman artist working conceptually with the landscape since the 1970s, Yates’s work has often bee...
Jennifer Wen Ma – interview: ‘Throughout history, humans have been try...
Jennifer Wen Ma talks about her new installation, Molar, at Cass Sculpture Foundation, created as a ...
Claire Shea: ‘We were really keen to look at an expanded definition of s...
As the Cass Sculpture Foundation stages its first exhibition of works commissioned by international ...
Philip Hunter: ‘I’ve developed an approach to painting that emulates t...
The Australian artists talks about the influence of Sidney Nolan, his most recent body of works, Geo...
Rana Begum: 'I love using readymade materials in the work'
Studio International visited Rana Begum in her studio in north-east London to talk to her about her ...
Georgiana Houghton: Spirit Drawings
She was an abstract painter out of time, a visionary and a maverick, but Georgiana Houghton was also...
Yun-Fei Ji: ‘I’m pessimistic about China’
He may use scrolls and work in ink in the millennial-old tradition of Chinese landscape painting, bu...
Manolo Valdés: ‘I only like apples if they look like Cezanne’s apples...
Like a magpie, taking fragments from works of art that he loves and reinterpreting them in new paint...
Harland Miller: ‘Brevity is no strength of mine’
The writer and artist discusses Berlin, Bowie and alter egos, his show with Blain Southern, and why ...
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Dóra Maurer: ‘My work has been based on change, shifting, traces, tempo...
As a new exhibition surveys her 50-years career, the Hungarian artist talks about colour, maths and ...
Almuth Tebbenhoff: ‘I’m wrestling with ideas that are way out of my co...
The sculptor talks about the perpetual puzzle of the cosmos and its vastness, eternity and the meani...
Anthony McCall: ‘I wondered if it would be possible to make a film that ...
The artist, a key figure in the avant-garde London Film-makers’ Co-operative in the 1970s, discuss...
Cory Arcangel – interview: ‘Making art is just basically dowsing’
Brooklyn-based artist Cory Arcangel talks about his latest show at the Lisson Gallery in London, bil...
Katie Paterson: ‘As a child, I used to practise daydreaming’
With her largest UK show to date currently on at the Lowry, the artist talks about the relationship ...
Elizabeth Price: ‘I’m interested in music and the voice because it bri...
Studio International visited the artist in her studio in south-east London to talk to her about her ...
Stephen Prina: ‘The exhibition was really about considering whether I co...
The post-conceptual artist talks about his hometown, studying with John Baldessari at California Ins...
David Claerbout: ‘I sculpt in duration’
The artist talks about duration, place and history in his practice, and how he sees his way of worki...
Martine Syms: ‘I am interested in the idea of the gulf between your live...
The Los Angeles-based artist talks about semiotics, funkadelic Afrofuturism, and how to create a 90-...
Gillian Wearing: ‘I don’t have any typical practice. Every project is ...
The artist talks about the ideas behind her latest film project, A Room With Your Views, which bring...
Sara Greenberger Rafferty: ‘What is more essential than how one faces th...
The multimedia artist talks about constructing the self through the language of clothing...
Charles Richardson – interview: ‘There must be some sort of desire in ...
Charles Richardson talks about his current show at Exeter Phoenix, collaborating with local artists,...
Jules de Balincourt: ‘I can’t be painting bouquets of flowers and pret...
The painter’s uncanny worlds reflect the post-9/11 zeitgeist with a beguiling charm. The world is ...
Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...
Bosco Sodi talks about the two processes in his work: the one where he is in control and the one whe...
Asya Dodina and Slava Polishchuk: ‘Material dictates the way you relate ...
The Russian immigrant artists talk about the difference between art education in the former Soviet U...
Steven Claydon: interview, Art Sheffield 2016
Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...
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