Yun-Fei Ji: ‘I’m pessimistic about China’

He may use scrolls and work in ink in the millennial-old tradition of Chinese landscape painting, bu...

Manolo Valdés: ‘I only like apples if they look like Cezanne’s apples...

Like a magpie, taking fragments from works of art that he loves and reinterpreting them in new paint...

Harland Miller: ‘Brevity is no strength of mine’

The writer and artist discusses Berlin, Bowie and alter egos, his show with Blain Southern, and why ...

Dóra Maurer: ‘My work has been based on change, shifting, traces, tempo...

As a new exhibition surveys her 50-years career, the Hungarian artist talks about colour, maths and ...

Anthony McCall: ‘I wondered if it would be possible to make a film that ...

The artist, a key figure in the avant-garde London Film-makers’ Co-operative in the 1970s, discuss...

Cory Arcangel – interview: ‘Making art is just basically dowsing’

Brooklyn-based artist Cory Arcangel talks about his latest show at the Lisson Gallery in London, bil...

Katie Paterson: ‘As a child, I used to practise daydreaming’

With her largest UK show to date currently on at the Lowry, the artist talks about the relationship ...

Elizabeth Price: ‘I’m interested in music and the voice because it bri...

Studio International visited the artist in her studio in south-east London to talk to her about her ...

David Claerbout: ‘I sculpt in duration’

The artist talks about duration, place and history in his practice, and how he sees his way of worki...

Martine Syms: ‘I am interested in the idea of the gulf between your live...

The Los Angeles-based artist talks about semiotics, funkadelic Afrofuturism, and how to create a 90-...

Gillian Wearing: ‘I don’t have any typical practice. Every project is ...

The artist talks about the ideas behind her latest film project, A Room With Your Views, which bring...

Sara Greenberger Rafferty: ‘What is more essential than how one faces th...

The multimedia artist talks about constructing the self through the language of clothing...

Jules de Balincourt: ‘I can’t be painting bouquets of flowers and pret...

The painter’s uncanny worlds reflect the post-9/11 zeitgeist with a beguiling charm. The world is ...

Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...

Bosco Sodi talks about the two processes in his work: the one where he is in control and the one whe...

Asya Dodina and Slava Polishchuk: ‘Material dictates the way you relate ...

The Russian immigrant artists talk about the difference between art education in the former Soviet U...

Steven Claydon: interview, Art Sheffield 2016

Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...

Mark Fell: interview, Art Sheffield 2016

Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on th...

Martin Clark: interview, Art Sheffield 2016

Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, To...

Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm

For this citywide event, curator Martin Clark aims to inspire a connection between different parts o...

François Morellet: ‘Art is frivolous even when it takes itself seriousl...

Two exhibitions by François Morellet, at London’s Mayor Gallery and Annely Juda Fine Art, mark th...

Lucy Jones: ‘My work is not slick and I struggle to resolve my paintings...

The artist talks about her recent return to making portraits of others, and explains what she sees a...

Todd Oldham: ‘I wasn’t very fashionable, so it was to our advantage th...

The New York-based designer talks about designing $10,000 dresses, his aversion to using animal mate...

Arnaldo Pomodoro: 'Sculpture is the appropriation of one’s own space wit...

As Italian sculptor Arnaldo Pomodoro has his first London exhibition for more than 50 years, he talk...

Philip Pearlstein: ‘I decided I didn’t want to express other artists...

The American artist has pursued an independent path for more than 60 years. Here, he talks about his...