Beijing-based artist Zhao Zhao was born in 1982 in Xinjiang, graduating from the Xinjiang Institute of the Arts in 2003. Later, he attended the Beijing Film Academy. He was formerly an assistant to Ai Weiwei, but struck out on his own in 2011. An artist of increasing reputation, he is considered to be a prominent member of the post-1980s generation of contemporary Chinese artists. His work is anti-authoritarian, challenging existing political and social systems, questioning the ideologies that underpin them and advocating free will in his work. A multidisciplinary artist of visually stunning, provocative work, he shows internationally.
Interview by LILLY WEI
Filmed by MARTIN KENNEDY
Translation by ALEX MA
Xiangshan Campus, China Academy of Art, Hangzhou, China
Established in 1928, the China Academy of Art is the first comprehensive art academy in China committed to integrating eastern and western art in its curriculum, while creating contemporary art according to the principles of Chinese culture. The new Xiangshan campus, located in the outskirts of Hangzhou, marks another chapter in the development of the school towards a 21st-century educational model.
LAVA: Home of the Future
Home of the Future, one of the prominent and current projects by Laboratory for Visionary Architecture (LAVA) Asia Pacific, was exhibited at the University of Technology Sydney Architecture Warehouse in Chippendale, Sydney, 16 March
The John Bellany Odyssey - paintings from Italy, China and the Tsunami
John Bellany's paintings are among the most confrontational, humanistic paintings produced in Britain in recent history. Layered with references to the expressionist tradition in art, and to his own dramatic life, recent death and incredible survival, they are allegories of mortality that have no rival today.
The Beijing National Stadium - Beijing Olympic Architecture in Retrospect II
The modern day Olympic Games has been than just a sporting event where thousands of athletes gather in a host country to compete against each other and challenge Man
Sculptural Architecture in Austria
This masterly exhibition has been organised with the support of, and in co-operation with, the Federal Chancellery of Austria and the Ministry of Culture of the People's Republic of China. It is the brainchild of the architect, Professor Hans Hollein, who curated it from Vienna in liaison with the Director of the National Art Museum of China, Beijing. It represents a long affair between Austria and China on cultural matters, and the Chinese authorities are to be complimented on their perspicacity and understanding for seeing it through. It follows an initial exhibition in Shanghai in 2001, covered by Studio International.