The fourth edition of the Dame Jillian Sackler International Artists Exhibition Program at the Arthur M Sackler Museum of Art and Archaeology at Peking University in Beijing features Cui Xiuwen’s exhibition, Light, curated by Miguel Benavides, with the support of Professor Cao Hong, Professor Wang Weihua, and Dr Lu Jing.
Born in 1970 in Harbin, China, Cui lives and works in Beijing. She studied at the Central Academy of Fine Arts, earning an MFA in 1996. Her series Intersection (1998) was extremely controversial, featuring not only nudity (stringently banned in China then and still banned, if only intermittently enforced now), but male nudity, which was even more shocking. Focusing on her subjects’ genitalia, a critique of historic gender disparities, social mores and aesthetic conventions, it would have raised eyebrows even in the west, where female nudes, not male nudes and not viewed frontally, have long been the norm. She upped the confrontational ante with Ladies Room (2000), based on footage taken from a video camera concealed in the ladies’ room of a Beijing club, which was removed by official censors from the 2002 Guangzhou Triennial, its first edition.
In later works, Cui has turned from social issues to more existential, Taoist and Buddhist themes that trace the evolution of self and its journey through the world and beyond, its relationship to others and what defines humanity in works such as Existential Emptiness (2009) and Spiritual Realm (2011), concerns that she continues to explore in her exhibition Light.
She has shown at Tate Modern in London and the Today Art Museum in Beijing, as well as galleries in New York, Hong Kong and Singapore and is represented in several museum collections, including that of Tate Modern and the Brooklyn Museum in Brooklyn, New York.
Cui Xiuwen: Light
Arthur M Sackler Museum of Art and Archaeology at Peking University, Beijing
27 May – 27 August 2016
Interview by LILLY WEI
Filmed by MARTIN KENNEDY
Translation by ALEX MA