Elger Esser: ‘Beauty is not important; it’s a logical result in my opi...
After his recent solo exhibition at Parasol Unit in London, Elger Esser talks about the relationship...
Georgia Horgan: ‘Confident, working women were a threat to the social or...
Georgia Horgan talks about her recent exhibition, All Whores are Jacobites, and how she became intri...
Mithu Sen: ‘I constantly change my mediums so the market will not be abl...
Indian artist Mithu Sen has a quicksilver practice that is difficult to categorise or maintain as a ...
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Becky Suss: ‘Putting domestic spaces into the gallery says something abo...
In her exhibition Homemaker at the Jack Shainman Gallery in New York, Philadelphia-based artist Beck...
Rachel Maclean: Spite Your Face – Venice Biennale 2017
Rachel Maclean is representing Scotland at the Venice Biennale with her new film, a dark fairytale t...
Indian artist NS Harsha explains some of the works on show at this retrospective, and why, despite o...
Frances Stark: ‘I am desperately trying to connect outside of the art wo...
Frances Stark, the Los Angeles-based interdisciplinary artist and writer, talks about her first oper...
Oliver Griffin: ‘The very act of photography makes something interesting...
Oliver Griffin talks about drinking White Russians, his BMX bike, which he has named Susan, taking p...
Peter Dreher: ‘In my pictures I underline the act of seeing’
German artist Peter Dreher recounts the trauma of childhood under the Nazi regime, his autonomy from...
James Bridle: ‘There is a huge demand to humanise the technological view...
James Bridle talks about his current show at the Nome Gallery, Berlin, which centres around the self...
Eddie Martinez: 'I just want people to interpret the work how they want'
Eddie Martinez talks about his latest show, Cowboy Town, at Timothy Taylor Gallery in London, the in...
Linda Kitson: [Mine is] ‘a reactive sort of work – it’s a reaction t...
Linda Kitson talks about the works in Drawings and Projects, her current exhibition at House of Illu...
Ruth Maclennan: ‘I realised that global warming was happening, and asked...
Visual artist Ruth Maclennan talks about what art can do in the face of climate change, her films of...
Secundino Hernández: ‘As a painter you have to have the courage to not ...
Secundino Hernández talks about his academic origins, the delicate equilibrium he seeks between acc...
Enrique Martínez Celaya: 'The sense of past as memory always has force'
Enrique Martínez Celaya talks about his latest show, The Gypsy Camp, and his interest in nomadism a...
Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...
Turkish artist Ipek Duben discusses her work THEY/ONLAR, a multiscreen video installation previously...
Brook Andrew: ‘I was challenged to unwind the histories that were told t...
History, identity and race dominate the Australian artist Brook Andrew’s work, as he challenges st...
Alexey Titarenko: ‘I wanted to capture my inner perception of the world ...
An exhibition at the Naiya Alexander Gallery in New York brings together Alexey Titarenko’s photog...
Deanna Petherbridge: ‘Drawing can be a million different things, but I t...
Using pen and ink as a metaphorical means of interrogating human interest, Deanna Petherbridge sees ...
James Capper: the making of Six Step
We visited James Capper over the course of four months, first filming him in his London studio where...
Sam Cornish: ‘We started with this idea that all works would have to con...
The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relative...
Caroline Walker: ‘Who we perceive to be the maker of an image affects ho...
Caroline Walker’s quietly charged, often luxurious, spaces frame half-told narratives that complic...
Norman Hyams: ‘I very much believe in losing a painting and finding it’
Norman Hyams talked to Studio International about his painting process before the opening of his fir...
Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...
Saad Qureshi talks about his seduction by charcoal, his fear of being exposed, and his creation of m...
Oliver Beer – interview: ‘We are very fortunate to live in a time when...
Oliver Beer uses sound, film and sculpture to explore the physical properties and emotional value of...
Helen Johnson: ‘I wanted to resist presenting some sort of unified image...
Australian artist Helen Johnson’s new exhibition at the ICA in London re-examines Britain’s colo...
Adrienne Elise Tarver: ‘I think about intrusion and the transition from ...
Adrienne Elise Tarver talks about issues of voyeurism, privacy and identity, and her interest in per...
İ Ata Doğruel: ‘I want to destroy the limits between life and art’
Pushing his physical and mental boundaries to the limit, Doğruel seeks to make performances from hi...
Serge Attukwei Clottey: ‘My body is part of my work’s mystery’
Using his body as an object, Ghanaian artist Serge Attukwei Clottey works with international media ...
Anna Freeman Bentley: ‘The work is successful when there’s a question ...
Freeman Bentley’s paintings are visual and psychosocial mazes that tease layers of meaning from ar...
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