Miguel Chevalier: ‘I feel that I live in what’s happening today’
Ahead of two simultaneous solo shows in London, pioneering computer artist Miguel Chevalier invites ...
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Dawn Mellor: ‘It is not surprising that activism and resentments due to ...
Dawn Mellor, best-known for her parodic portraits of celebrities, talks about taking a year of from ...
Michele Oka Doner: ‘We can’t repair the Earth if we don’t fall in lo...
American artist and author Michele Oka Doner shares some of her explorations of nature and ritual fr...
Jedd Novatt: ‘I feel the same tension about the next work as I did 40 ye...
In advance of an exhibition of new works, Novatt talks about his long career making geometric sculpt...
Langlands & Bell – video interview: ‘We like to be catapulted into the...
For a new show at Birmingham’s Ikon gallery, Langlands & Bell have turned their shared gaze on to ...
Alexandra Kokoli and Basia Śliwińska: ‘As long as ‘home’ remains...
Curators Kokoli and Śliwińska and artists Małgorzata Markiewicz and Su Richardson talk about th...
Su Richardson talks about her work in the exhibition Home Strike at I’étrangère, London...
Małgorzata Markiewicz: interview
Małgorzata Markiewicz talks about her video The Resistance Kitchen (2017), part of the exhibition H...
Cary Leibowitz: ‘I hate my aesthetic. I wish I was delicate and elegant ...
For his first major retrospective, the undersung American artist fills the ICA Philadelphia with mor...
Alge Julija Kavaliauskaitė: ‘There is something about glass that I am c...
Kavaliauskaitė, originally from Latvia but now living in Finland, talks about art and alchemy, haun...
Anthony McCall: ‘The sculptural aspect of a piece occurs only at the mom...
The pioneer of immersive, sculptural light installations explains his process and procedures, intere...
Sam Stewart: ‘From a psychological perspective, working in someone's hom...
For his first solo exhibition, artist-designer Sam Stewart transforms an unoccupied space within a N...
Claudia Wieser: ’I know there is the danger of beauty in my work, or a d...
Ahead of the opening of her current show at the Marianne Boesky Gallery in New York, Berlin-based ar...
Evelyn Hankins: ‘Mark Bradford’s project directly challenges the idea ...
Hankins, senior curator at the Hirshhorn museum, explains how a collaboration with Mark Bradford led...
Andy Holden: ‘A lot of my work is a fidelity to what feels right more th...
Andy Holden talks about his relationship with his father, the ornithologist Peter Holden, nature ver...
Zhang Enli: ‘I pay attention to the subtle things that you might usually...
The artist known for focusing on the poetic aspects of daily life talks about new approaches to pain...
Yto Barrada: ‘The whole thing is a dance between a mad poet, children an...
Yto Barrada discusses her new exhibition at the Barbican Centre, which draws on a calamitous earthqu...
Lydia Ourahmane – interview: ‘Working with this personal history is so...
Lydia Ourahmane talks about her exhibition at the Chisenhale Gallery, allegiance, betrayal, drawing ...
Maija Luutonen: ‘I’m not a big fan of monuments’
Maija Luutonen is the inaugural recipient of the Kiasma Commission by Kordelin, a project to promote...
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Michael Armitage: ‘Can an art space function in the same way as a chapel...
The artist weaves multiple narratives to evoke the complexity of East African society. Here, he talk...
Encountering the Buddha and the Kandell Tibetan Buddhist Shrine Room – a...
The curator talks about Encountering the Buddha: Art and Practice Across Asia, the current exhibitio...
Sophie Herxheimer: ‘I’m after precision in poetry … I’m after exac...
Poet, writer and image-maker Sophie Herxheimer talks about the ideas and inspiration that inform her...
Jason Brooks: ‘In a world that wants to eradicate detail by airbrushing ...
Ahead of his exhibition at Marlborough, London, Jason Brooks showed Studio International around his ...
Tabita Rezaire: ‘Reclamation allowed me to glow into my blackness, woman...
The artist talks about ‘decolonial healing’, her response to cyber-racism and the distorted repr...
Edmund Clark: ‘The intervention, the control, the censorship is part of ...
Edmund Clark discusses his recent residency at the UK’s only wholly therapeutic prison, HMP Grendo...
Bharti Kher: ‘In the way a kitchen has many different things cooking at ...
Kher talks about the difficulty of being identified as an ‘Indian’ artist, being a procrastinato...
Peter Hill: ‘I have a love for the solitude of lighthouses at one extrem...
The artist talks about his creation of a fictional museum, his current lecture tour, Fake News + Sup...
Latif Al Ani: ‘I was documenting for the sake of archiving. I never thou...
The Iraqi photographer considers his photographic preservation of a long-vanished Iraq, his preoccup...
Ania Dabrowska: ‘By the retelling of archival stories we have the power ...
Ania Dabrowska (b1973) is a Polish-born artist now living in London. She works with photography, mov...
Köken Ergun: ‘In Turkey, the image of the soldier has been victimised b...
The Turkish film-maker talks about his 2005 video I, Soldier, and its relevance to the political sit...
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