Crossing the Line 2: Drawing in the Middle East
Crossing the Line was a conference that brought together specialists to examine the role of drawing ...
Céleste Boursier-Mougenot: persistances
Céleste Boursier-Mougenot’s immersive installations merge movement and sound and extract the musi...
Anne Graham interview: ‘The ability to see things as if for the first ti...
Anne Graham currently has two exhibitions of sculpture in Sydney, which indicate the many layers of ...
In a thrilling career-spanning retrospective, Arnulf Rainer proves that art can be revelatory throug...
Agathe Sorel interview: ‘I never have an idea in advance, even now. Expe...
Agathe Sorel talks about her battle to get printmaking recognised in art colleges, her unconventiona...
Christopher Le Brun interview: ‘From the drama of the image in my earlie...
Royal Academy president Christopher Le Brun has produced 33 new canvases for his solo show at Friedm...
Fresh from his incredible journey with Nowhereisland, Alex Hartley speaks to us from his lookout ato...
Alastair Upton is chief executive of The Creative Foundation, an independent visionary arts charity ...
An Idiosyncratic A to Z of the Human Condition
This whimsical interactive exhibition from the Wellcome Collection, with its weird and wonderful obj...
Anita Taylor, dean of Bath School of Art and Design at Bath Spa University and the founder of the Je...
Calum Colvin talks to Christiana Spens about the influences behind his art and photography, his feel...
Body & Void: Echoes of Moore in Contemporary Art
This group show of contemporary art at the Henry Moore Foundation considers the interior and exterio...
Art and politics/art or politics: the political quandary of Manifesta 10
It is difficult to escape the topic of politics when discussing art in Russia now. On the level of i...
Bartosz Beda is a rising star whose torrid paintings reflect social anxieties, with and a keen eye t...
Back to Eden: Contemporary Artists Wander the Garden
Back to Eden: Contemporary Artists Wander the Garden at the Museum of Biblical Art (MOBIA) presents ...
In The Grammar of Ornament: New Paper Cuts and Ceramics, artist Charlotte Hodes takes as her cue the...
Ben Quilty’s first solo London show opened at the Saatchi Gallery on 4 July, celebrating his winni...
Bruegel to Freud: Prints from the Courtauld Gallery
I met Dr Rachel Sloan, curator of Bruegel to Freud, to discuss the Courtauld’s print collection an...
MAYA, a major exhibition by Anindita Dutta, is the second exhibition of the Dame Jillian Sackler Int...
It is all too easy to forget about folk art in the UK, to dismiss it as purely decorative, twee, or ...
Carl Andre: Sculpture as Place, 1958-2010
It has been more than 30 years since the last show devoted to Carl Andre was staged in America. As h...
Art made in the trenches of life
With funding from the Henry Luce Foundation as part of its 75th-anniversary initiative,1 the America...
Ancient Lives, New Discoveries
Ancient Lives explores the mortal remains and daily routines of eight of the British Museum’s mumm...
Born in Tehran in 1976, Ali Banisadr was three when the Islamic revolution took place. He and his fa...
Studio International visited the Alan Cristea gallery to talk to the painter Ben Johnson. This is hi...
Camille Henrot: The Restless Earth
Stepping out of the elevator on to the second floor of the New Museum, one walks into a gallery fill...
Nominees for this year’s Catlin art prize are exhibiting their work at the Londonewcastle Project ...
The Brooklyn Museum marks the final stop on this North American touring exhibition by Chinese artist...
Alexander James (b1967) is a photographer with a difference. Rather than capturing the moment sponta...
Alibis: Sigmar Polke 1963-2010
Changeable, impure, destructive, contrary – it is hard to read these adjectives as a list of compl...
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