Published  30/11/-0001
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Ryoji Ikeda

An ear-shredding, eye-rending survey of the audiovisual artist Ryoji Ikeda transforms data into engu...

Matt Jukes – interview: ‘You need to dream big, so you can shoot for t...

Matt Jukes talks about the pandemic, the effect of lockdown on our mental health, and his immersive,...

Art appreciation in the metaverse

What on the physical earth do art collectors see in a CryptoPunk? Add to quick profits the bragging-...

Nick Hornby – interview: ‘Liquefied photography is magical and mysteri...

British artist Nick Hornby talks about his shift from art history to personal histories, and combini...

London’s Arts Labs and the 60s Avant-Garde

From a naked man flinging himself into a giant jelly to a 24-hour piano recital to John Lennon and Y...

Cybernetic Serendipity: The Computer and the Arts

To mark the 50th anniversary of this pioneering publication and exhibition, Cybernetic Serendipity: ...

Toby Ziegler: The sudden longing to collapse 30 years of distance

In a new series of large geometric works on paper and smaller figurative oil paintings on aluminium,...

Digital and networked art in lockdown: how can we be creative in new ways?

Unable to open to the public, museums and galleries have been quick to offer virtual tours and exhib...

Glasgow International 2020: Digital Platform

With Scotland’s premier contemporary art biennial postponed to 2021, a digital programme of often ...

The impact of Covid-19 on artists, part 5: the long-term outlook and the g...

In the final instalment of this five-part essay, comprising conversations with artists around the wo...

Gustav Metzger – In King’s Lynn

This show of Metzger’s work, as part of the King’s Lynn Norfolk festival, looks at his years liv...

AI: More than Human

With AI seeping into all our lives, the Barbican should be congratulated for tackling such a prescie...

Casey Reas – interview: ‘There is an increased understanding that soft...

Reas is known as the man who helped to create the open-source programming language Processing and br...

Victor Wong – interview: ‘The human is inspired by the machine and the...

Artist-inventor Victor Wong talks about his robot artist AI Gemini, how he feels about his invention...

Programmed: Rules, Codes and Choreographies in Art, 1965-2018

From Nam June Paik’s 1960s experiments to alter images on a TV screen to Ian Cheng’s use of chat...

Chance and Control: Art in the Age of Computers

This beautifully curated display includes work from the pioneers of digital art of the 1950s and 60s...

Shelley Himmelstein: Soccerscapes – Fifa World Cup Series; Michael Sorga...

Gallery director Randall Harris explains how this double show came about, while Himmelstein talks ab...

Nevermore: Leonid Lamm, Selected Works

This retrospective of the artist, who died last year, shows the brilliance, courage and impeccable w...

Vera Molnár: ‘I have no regrets. My life is squares, triangles, lines’

Vera Molnár, the pioneer of computer-assisted art, recounts her love affair with lines, the balanci...

Creativity and Collaboration: Revisiting Cybernetic Serendipity

The two-day colloquium Creativity and Collaboration: Revisiting Cybernetic Serendipity, which explor...

Cécile B Evans: Amos’ World: Episode One

Cecile B Evans’s video transports us into the surreal world of an architect who believes he can bu...

Miguel Chevalier: ‘I feel that I live in what’s happening today’

Ahead of two simultaneous solo shows in London, pioneering computer artist Miguel Chevalier invites ...

Paul Brown: Process, Chance and Serendipity: Art That Makes Itself

These radical works by Paul Brown highlight the wonders of computer programming in the realm of art-...

Lilah Fowler: nth nature

The exhibition nth nature, a new body of work by Lilah Fowler, explores feelings of transience and d...

Cybernetic Serendipity: History and Lasting Legacy

Catherine Mason considers the ICA’s groundbreaking computer art exhibition of 1968 and looks at ho...

Art + Technology Week

Events planned around the Creativity and Collaboration: Revisiting Cybernetic Serendipity symposium ...

Thinking Machines: Art and Design in the Computer Age, 1959-1989

The exhibition is a must-see for anyone interested in the early history of computer technology and i...

Anne de Boer & ecksenis.net: System Attempt Contact

System Attempt Contact critiques the way today’s tech multinationals transcend the borders between...

Cybernetic Serendipity 50th Anniversary

The Studio International special issue Cybernetic Serendipity: The Computer and the Arts was first p...

Zarah Hussain: ‘I don’t think something that’s spiritual precludes t...

Zarah Hussain (b1980, Cheshire, UK) places her work at “the intersection of science and spirituali...

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