Asya Dodina and Slava Polishchuk: ‘Material dictates the way you relate ...
The Russian immigrant artists talk about the difference between art education in the former Soviet U...
Steven Claydon: interview, Art Sheffield 2016
Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...
Beatrice Gibson: interview, Art Sheffield 2016
London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evokes the chaos of ...
Mark Fell: interview, Art Sheffield 2016
Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on th...
Martin Clark: interview, Art Sheffield 2016
Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, To...
Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm
For this citywide event, curator Martin Clark aims to inspire a connection between different parts o...
François Morellet: ‘Art is frivolous even when it takes itself seriousl...
Two exhibitions by François Morellet, at London’s Mayor Gallery and Annely Juda Fine Art, mark th...
Random International: ‘There is a real collective power in this group of...
Hannes Koch of Random International talks about the collective’s latest project, producing a kinet...
Lucy Jones: ‘My work is not slick and I struggle to resolve my paintings...
The artist talks about her recent return to making portraits of others, and explains what she sees a...
Todd Oldham: ‘I wasn’t very fashionable, so it was to our advantage th...
The New York-based designer talks about designing $10,000 dresses, his aversion to using animal mate...
Arnaldo Pomodoro: 'Sculpture is the appropriation of one’s own space wit...
As Italian sculptor Arnaldo Pomodoro has his first London exhibition for more than 50 years, he talk...
Philip Pearlstein: ‘I decided I didn’t want to express other artists...
The American artist has pursued an independent path for more than 60 years. Here, he talks about his...
Bernard Jacobson: ‘I want to bring people back to art’
The art dealer talks about his current exhibition, Bonheur de Vivre, which he considers ‘a precis ...
Comix Creatrix: 100 women making comics
This is a groundbreaking exhibition of female comics artists, from Hogarth’s contemporary Mary Dar...
Terry Setch: ‘I regarded the beach as a playground – somewhere you can...
The artist explains his practice, recalling memories of the beach at Penarth and his desire to exten...
Kelly Chorpening: ‘The whole relationship between image and object or bu...
Studio International visited Horatio Junior gallery in southeast London to talk to the American arti...
Three Generations: Passing on the Eyton drive
As they prepare for their first exhibition showing together as a family, Anthony Eyton RA and his sc...
Russia and the Arts: The Age of Tolstoy and Tchaikovsky
This exhibition introduces visitors to the talents and turmoil of the Russian arts scene from 1867 t...
Heidi Kilpeläinen: ‘In a way, I suppose I’m making my reading of the ...
The London-based Finnish artist talks about her multidisciplinary practice and her recent residencie...
Nico Vascellari: ‘I’m not interested in the rules or breaking them. I ...
The artist talks about how touring in a band influenced his work, despising morality in art, how we ...
Mark Wallinger: ‘Even the ugliest mark, with symmetry, gains some kind o...
After months of psychoanalysis, the Turner Prize-winning artist reveals something of his inner self ...
Colin Self – interview: ‘I want to be devoid of the art world and padd...
On the occasion of his exhibition at London’s Mayor Gallery, Colin Self, the most singular of Brit...
Sergio Caballero: ‘I’m interested in the creative process. I couldn’...
The Spanish artist, composer, film-maker and director of Barcelona’s Sónar Festival talks about h...
Lin Tianmiao – interview: ‘Thread winding taught me to be patient’
Multidisciplinary artist Lin Tianmiao talks about incorporating weaving, sewing and embroidery into ...
Andrea Ponsi: ‘I draw, therefore I am’
The architect, designer, writer and painter on how he went from building his own shelter in a South ...
Botticelli and Treasures from the Hamilton Collection
Botticelli’s delicate illustrations of Dante’s The Divine Comedy steal the show in this exhibiti...
Chantal Joffe: ‘I want to make the painting feel like the person’
The artist talks about what she seeks to capture in a painting, how motherhood changed her, and why ...
Conrad Shawcross: ‘It looks like a wonder of the world’
Conrad Shawcross talks to Studio International about his new public sculpture, Paradigm, and shows u...
Joe Graham: ‘Anchor is not quite a book about drawing, and yet it’s no...
His new book, Anchor, presents 14 responses to the question: What is an outline? Here, he explains w...
![Julien Prévieux, Atelier de dessin - B.A.C. du 14e arrondissement de Paris [Drawing workshop - B.A.C. of 14th district of Paris], 2011-2015. Ink on paper, variable dimensions. Courtesy Galerie Jousse Entreprise, Paris.](/images/articles/p/previeux-julien-2016/smallpix/Previeux_AtelierBac01-300.jpg)
Julien Prévieux: ‘Humour is a good fighting trick’
From ‘hacking’ Google to responding to ads to tell employers why he doesn’t want their job, th...
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