Thanks to the dismantling of the city’s steel industry, this top floor has never been used. This, its first occupation, has only been made possible due to the substation’s annual three-week shutdown for maintenance – an event that dictated Art Sheffield’s timing.
Accessed via a winding concrete and glass staircase, the physical presence of this huge room – and one’s insignificance in relation to it - is augmented by a projection at the far end of the room, on which Claydon is broadcasting an animation made from atoms. Claydon has clipped excerpts from IBM animation A Boy and his Atom, a film made to demonstrate IBM scientists’ breakthrough in being able to control the movement of atoms from one place to another. It is accompanied by the actual soundtrack of these atoms being moved, interwoven with words sampled from tapes of early computer-generated poetry. The soundtrack itself is amplified by a large, sculptural reverb unit, constructed from plate steel manufactured in the city.
Moore Street Substation, Moore Street, Sheffield
16 April – 8 May 2016
Interview by VERONICA SIMPSON
Filmed by MARTIN KENNEDY
Drawing Biennial 2017
The eighth edition of the Drawing Biennial, which includes more than 200 works on paper, prompts a reflection both on the status of drawing today and the world around us
Beatrice Gibson: interview, Art Sheffield 2016
London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evokes the chaos of contemporary capitalist economics via a child’s Minecraft fantasy, contrasting the simplicity of the child’s-eye view with the grotesque and sometimes surreal aspirations and machinations of global finance.
Mark Fell: interview, Art Sheffield 2016
Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on the Park Hill housing estate. Fell, who describes himself as a “Rotherham-based music producer and artist”, brings a wealth of local knowledge to this site-specific installation: a loving recreation, in a derelict brutalist housing estate pub, of the heady days of the 1980s and 90s underground music scene, as well as a far from rose-tinted recollection of the politics of the day.
Martin Clark: interview, Art Sheffield 2016
Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm, entirely around sound and video art. His aim is for the three-week event to inspire and provoke a connection between different parts of the city – from derelict pubs and abandoned factories to veteran nightclubs and modern gallery spaces – and the musical, cultural, social and political events that have helped to shape this once prosperous industrial hub, as well as propel it into its modern day version, where former factories have transformed into galleries and student housing, and the knowledge economy is king.
Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm
For this citywide event, curator Martin Clark aims to inspire a connection between different parts of Sheffield in an event that revolves entirely around sound and video art. Studio International spoke to him and some of the artists involved