William Roberts: England at Play
The new Pallant House Gallery was described and reviewed on this website in 2006. The magnificent Wi...
The great 18th-century caricaturist, William Hogarth, who signed himself 'Britophil', caught the moo...
West Meets East in a DADAdventure
Just as the extensive exhibit, 'DADA', which revisited the movement, closed at the Museum of Modern ...
A little gem of a show passed without much fanfare at the Paul Kasmin Gallery in the Chelsea distric...
Visuality and Biblical Text: Interpreting Velázquez' 'Christ with Martha ...
This beautifully produced and accessible book, a subject of much media interest, showcases what its ...
Vital Configurations: The paintings of Susan Rothenberg
Paintings by American artist Susan Rothenberg were on show at Waddington Galleries, London in Novemb...
Worldly Wisdom: The Enlightenment Gallery
The Enlightenment Gallery at the British Museum opened on 12 December 2003 as the culmination of the...
Winifred Nicholson in Scotland
The first exhibition to fully survey the work of Winifred Nicholson was staged by the Tate Gallery i...
Eva Hesse at Tate Modern is a wonderful, enigmatic exhibition that inspires a wide range of interpre...
Versace at the V&A is the largest exhibition that the Victoria and Albert Museum, in London, has eve...
After the lyrical and mythic Ansel Adams, the photographs of William Eggleston are like a punch in t...
Will Maclean’s exhibition, ‘Driftworks’ at Dundee Contemporary Arts (24 November 2001 – 3 Fe...
The exhibition of Victor Willing's paintings at Marlborough Fine Art supports the publication of the...
Victor Willing, letter to Studio International, 1980
Opting out of the rat race, Victor Willing had tried 'to make some silence' around himself, and proc...
Venice Biennale: the British five
“... this year’s selection of Caro, the Cohens [Bernard Cohen, Harold Cohen], Denny, and Richard...
Venice Biennale: choosing the artists
“...in 1948, [at the Venice Biennale] ...Henry Moore walked off with the major Sculpture Prize...t...
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