Motoi Yamamoto: Return to the Origin
In Japan, salt is used to exorcise the bad spirits that are said to haunt the dead. With his install...
Morehshin Allahyari: ‘Suddenly, I had the opportunity of making art with...
The Iranian-born artist, who moved to the US in 2007, talks about important concepts in her work, in...
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Mira Schendel is regarded as one of the most significant South American artists of the 20th century,...
Nina Lola Bachhuber: ‘The creative process is like a virus in my brain’
The Munich-born artist’s delicate drawings depict invented characters that are then given form in ...
The Nova section of Art Basel Miami Beach gave artists a chance to show their latest works, from dra...
Maggi Hambling: ‘Some paintings you’ve just got to cut up. There’s e...
Maggi Hambling talks about the sea, life, death and love in her work, how, despite being nearly 70, ...
One of this year’s Bloomberg New Contemporaries, 26-year-old, Paris-born Marie Jacotey is exhibiti...
Emerging artist Matt Copson’s alter ego is a vengeful fox named Reynard. Using ancient European fo...
Milou van der Maaden: interview
Dutch artist Milou van der Maaden graduated from the Slade School of Fine Art this year and instantl...
Nacho Carbonell: ‘I try to communicate to many people through objects’
Nacho Carbonell makes collectable pieces that span the fields of art and design. On the occasion of ...
Maisie Broadhead: ‘I was quite happy to be fraudulent’
The photographer and jewellery-maker talks about her latest show, Peepers at Brighton’s Royal Pavi...
Marni Kotak interview: ‘I wanted to have my son’s birth as a performan...
US artist Marni Kotak talks about her performance of everyday events in real life as way to raise aw...
Nathaniel Prottas interview: ‘Often museum didactics get in the way of p...
Nathaniel Prottas, director of education at the Museum of Biblical Art in New York, talks about publ...
Memling. A Flemish Renaissance
For the first time, a Flemish Primitive shines in the capital of the Italian peninsula, as the Scude...
Michelle Grabner interview: ‘My family is an important part of my life a...
American conceptual artist Michelle Grabner talks about how she combines her roles as artist, curato...
Natalia Kolodzei interview: ‘My dream is that every American museum has ...
Natalia Kolodzei, executive director of the Kolodzei Art Foundation, talks about her family collecti...
A pioneer in modern Italian art, Nanda Vigo has continually skirted the confines of design, architec...
Nico van der Endt interview: ‘Willem van Genk was a visionary, a man dis...
Willem van Genk, one of the most fascinating outsider artists, is featured in a new exhibition at th...
Mwangi Hutter interview: ‘we are interested in personal and universal re...
Berlin and Nairobi-based artist duo Mwangi Hutter talk about their work as a collaborative, how they...
Nadav Kander is an award-winning photographer with an international reputation. He has photographed ...
Maryam Najd: Accuracy & Balance – West
In her work, painter Maryam Najd, who was born in Iran but now lives in Belgium, explores whether th...
Micro-Events: Tsuneko Taniuchi
Blurring the line between reality and fiction, performance artist Tsuneko Taniuchi tries to change o...
Mark Soo interview: ‘The object of observation changes by being observed...
Multimedia artist Mark Soo tells A Will Brown about his interest in the interconnection of elements,...
Jake Yuzna, curator of the Museum of Arts and Design’s first biennial of New York City “makers...
![Moses Harris. The Natural System of Colours Wherein is displayed the regular and beautiful Order and Arrangement, Arising from the Three Premitives [sic], Red, Blue and Yellow, The manner in which each colour is formed, and its Composition, 1769/1776. Royal Academy of Arts, London.](/images/articles/m/making-colour-2014/smallpix/X8384-300.jpg)
Now, the National Gallery is hosting an exhibition dedicated to the history of making colour in west...
It is thrilling, with this superb exhibition at Tate Liverpool, to see the work of Nasreen Mohamedi ...
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The exhibition of “paper sculpture” taking place in the Marble Palace of the Russian Museum feat...
Marc Desgrandchamps: interview
In this exhibition of vivid beach scenes, Desgrandchamps has turned up the opacity on his figurative...
As observers, we might be tempted to approach the work of Piet Mondrian as we would the scene of a c...
We spoke to her ahead of the opening of 512 hours about why, for her, presence is so important, what...
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