Jadé Fadojutimi – interview: ‘I bathe in the conversations between co...

Jadé Fadojutimi talks about how lockdown enriched her practice, her obsession with Japan, her Liver...

Julie Mehretu

Mehretu’s vision is both epic and intimate and this survey of 25 years of her craft is a measure o...

Lina Ghotmeh – interview: ‘Sometimes I wonder whether I am constructin...

Lina Ghotmeh, the Lebanese-born, Paris-based architect discusses her methodology of architecture as ...

Lana Locke – interview: ‘I look more at the racial connotations of col...

Lana Locke talks about about domesticity in life and art, colonialism and climate change –and how ...

Luiz Zerbini – interview: ‘I treat a painting as an oracle’

Brazilian painter Luiz Zerbini discusses urbanity and nature, the power of geometry and the secret l...

Jordan Baseman on turning mastectomy tattoos into the subject of a cartoon...

Jordan Baseman’s films deal with everything from embalming to post cancer surgery tattoos, and see...

Kandinsky | Guggenheim Bilbao

With 62 of Kandinsky’s paintings and works on paper, this exhibition charts the development of his...

Katharina Grosse – interview: ‘My eyes are my most important tools’

Katharina Grosse talks about the importance of layering, colour and bodily intelligence in her paint...

Lucy McKenzie: Prime Suspect

A mid-career survey of the Brussels-based Scottish artist conceals big questions in illusionistic ma...

Kai Althoff Goes With Bernard Leach

Juxtaposing a sprawling selection of Althoff’s works with a tribute to British studio pottery, the...

London’s Arts Labs and the 60s Avant-Garde

From a naked man flinging himself into a giant jelly to a 24-hour piano recital to John Lennon and Y...

Kehinde Wiley: Ship of Fools

Wiley’s first foray into depicts a scene of young black men in the sea, struggling to reach land. ...

John Byrne at 80

This celebratory exhibition of Byrne’s screenprints, along with a companion show of portraits of t...

Jacqueline Poncelet – interview: ‘Uncertainty is all right; it gives u...

A major UK survey exhibition of her work reveals the restless creativity and curiosity of this talen...

Kate Mieczkowska – interview: ‘I have always loved being in front of a...

The artist talks about the development of her art practice and her curatorial debut, Goddess Now...

Li Qing: East of Eden

The Chinese artist Li Qing explores the tensions between east and west through the lens of architect...

Ken Done – interview: ‘We white blokes could learn from collaboration ...

Now 80, Done says you should be fearless as you age and take more risks. Here he talks about why a g...

John Newling: Dear Nature

Newling’s ecological artworks provoke questions about how we can work in harmony with nature and c...

Looking Up: Helaine Blumenfeld at Canary Wharf

The luxury corporate campus of Canary Wharf makes an unusual but strangely prescient setting for scu...

Léon Spilliaert

Ostend’s master draughtsman oscillates between retreat and escape, nocturnal and diurnal, imbuing ...

Johanna Unzueta: Tools for Life

Unzueta’s films, drawings and huge felt installations weave together traditional Chilean needlewor...

Janet Laurence – interview: ‘White Australians didn’t have a way of ...

A leading contemporary artist in Australia, Laurence talks about colonialisation and using her art t...

Julijonas Urbonas: Planet of People

In this fascination fusion of art and science, the Lithuanian artist imagines sending visitors into ...

Jake Wood-Evans – interview: ‘I don’t think you can make a successfu...

Taking great baroque altarpieces as his starting point, Jake Wood-Evans marks out his composition, a...