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Peter Hujar: Eyes Open in the Dark
Peter Hujar. Ethyl Eichelberger, 1979. Image courtesy of The Peter Hujar Archive / ARS, New York and Pace Gallery, © Peter Hujar Archive, LLC.
A generous survey captures the full range of the American photographer, who chronicled New York’s gay scene during the 1970s and 80s
New Contemporaries, Institute of Contemporary Arts, London, 2025. Photo: Rob Harris.
In the 75th New Contemporaries exhibition – perhaps not surprisingly at a time of economic, political and moral uncertainties – recent UK arts graduates seem preoccupied with everyday life, family and what it means to feel ‘at home’.
Iconic: Portraiture from Francis Bacon to Andy Warhol, installation view, Holburne Museum, Bath. Photo: Jo Hounsome.
There are no buts! This small exhibition at the Holburne Museum in Bath has considered every angle and every detail and the result truly is a bijou gem.
Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti.
Parreno is a wizard weaving verbal and technological spells around us, but for those who would rather keep the machines at bay, it is a truly disturbing experience.
Maryam Tafakory. Courtesy of The Flaherty, photo: Abby Lord.
The film-maker collages found footage with the cinema of post-revolutionary Iran to explore censorship and prohibition. She discusses her life growing up in Iran, her parents’ refusal to let her attend art school, and what winning the 2024 Film London Jarman Award means to her.
Amina Agueznay. Reg, 2024. Installation, Natural undyed wool, stones from Souss Massa, cotton thread. Hand crochet and sewing, variable dimensions. Photo: Ayoub Al Bardii.
Its opening coinciding with the sixth edition of 1-54 Marrakech, an exhibition at IZZA highlights nine artists from Morocco and beyond working wonders with textiles.
Christina Kimeze in her studio, 2024. Photo: Lily Bertrand-Webb. Courtesy the artist and Hauser & Wirth.
As she holds her first institutional UK solo show, at the South London Gallery, Kimeze explains why, after gaining a degree in biology, she enrolled at the Royal Drawing School, and how literature and roller-skating colour her work.
Unknown artist, Two Women Wearing Cosmetic Patches, c1655. Oil on canvas, Compton Verney Art Gallery and Park, Warwickshire, UK.
There is so much to be said, and much still to be learned, about this one astounding and complex painting, and this two-year evolving display at Compton Verney hopes to offer an enlightening introduction.
Forbidden Territories: 100 Years of Surreal Landscapes, Installation view, Hepworth Wakefield, November 2024. Photo: Michael Pollard, courtesy The Hepworth
Wakefield.
Ambiguous images and twisted and brooding forms rewrite the meaning of landscape in this exploration of subconscious desires, dreams and irrationality.
Tadek Beutlich: On and Off the Loom, installation view, Ditchling Museum of Art and Craft, 18 January – 22 June 2025. Photo: Phoebe Wingrove.
The monumental textiles, striking prints and tiny figurative works on show cement Beutlich’s place as a visionary textile artist and printmaker who eschewed traditional methods and materials.
Markus Lüpertz – Pierre Puvis de Chavannes, installation view, Michael Werner Gallery, London, 14 November 2024 – 1 February 2025. Courtesy Michael Werner Gallery.
A beguiling exhibition at Michael Werner Gallery places two distinctive artists into a balletic dialogue illuminating painting’s shifting relationship with the pilasters of classical art, figure and landscape.
Tarsila do Amaral, Lake, 1928 (detail). Oil on canvas, 75.5 x 93 cm. Collection of Hecilda and Sérgio Fadel. Photo: Jaime Acioli. © Tarsila do Amaral S/A.
The RA turns over its grand halls to an erudite, even academic look at half a century of Brazilian painting. There are some interesting finds amid the abundance.
Margherita Manzelli and curator Stefano Collicelli Cagol. Photo: Chiara Riccio.
As a major survey opens at Centro Pecci, the Italian artist discusses her lifelong struggle with the machismo of painting and why she has turned to robots.
There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker.
In his first institutional solo exhibition in the UK, the American artist and activist shares stories, prints and films reflecting on connection, survival and contagion.
Yulia Mahr portrait. Photo: Marie Sutter.
Mahr’s work incorporates film, photography and installation with a rich language of layering, collaging and photographic experimentation. She discusses her artistic evolutions, her explorations of the female body as a ‘site of complexity’ and the studio space she and her husband, Max Richter, have built in Oxford to support musicians, artists and writers.
Dana Schutz: The Island, installation view, The George Economou Collection, Athens, 16 June, 2024 - March 2025. Photo: Natalia Tsoukala.
With 15 paintings and five works on paper, this show takes on a journey spanning 20 years of Schutz’s fantastical, often grotesque, figures.
Tirzah Garwood. Etna, 1944. Oil on canvas. Image courtesy of Fleece Press/Simon Lawrence.
This delightful if dark exhibition brings ‘Mrs Eric Ravilious’ out of the shadow of her husband, ensuring that, in future, she is known in her own right as Tirzah Garwood.
Maggi Hambling: Nightingale Night, installation view, Pallant House Gallery, Chichester, 9 November 2024 – 27 April 2025. Photo: © Pallant House Gallery, Barney Hindle.
In response to hearing the increasingly rare sound of a nightingale singing, Hambling has produced a new series of paintings in a striking palette of gold and silver laid over a dark black ground, evoking a mood, a feeling of wonder and vitality, a moment in time.
Joyce Hinterding and David Haines. Telepathy, 2008. Installation view, Energy Fields: Vibrations of the Pacific (co-presented by Fulcrum Arts and Chapman University. Photo: Christopher Wormald.
Well into its fourth month, the sprawling PST ART festival themed to explore the intersection of art and science is still in full swing, featuring science-facilitated art projects that engage aesthetics and manipulated materials to rethink abstruse cosmic questions and render them visually.
Parmigianino. The Madonna and Child with Saints John the Baptist and Jerome, 1526-7. Oil on poplar, 342.9 × 148.6 cm. © The National Gallery, London. Presented by the Directors of the British Institution, 1826.
The towering canvas is stupefying – not for nothing is it said that soldiers invading his studio during the sack of Rome were so amazed that they let Parmigianino continue painting. Here, too, we see his preparatory drawings, evidence of the artist toiling to achieve his masterpiece.
Installation view. In Flux: A Story About Water, Arp Museum, Remagen, Germany, 17 November 2024 – 27 April 2025. Photo: Helmut Reinelt.
This compact but rich show delves into the many facets and meanings of water as represented in the past 400 years of art history.
Hamad Butt, Transmission, 1990. Glass, steel, ultraviolet lights and electrical cables. Overall display dimensions variable. Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh.
The artist’s first major retrospective, 30 years after his death, reveals a powerful talent, a pioneer in bio- and installation art, with a potent message about fear of other and of biological, social and political contagion.
Do Ho Suh: In Process, installation view, Moody Center for the Arts, Rice University, Houston, Texas,
6 September – 21 December 2024. Photo: Anthony Rathbun.
This innovative, elegantly assembled show of the South Korean artist gives us a glimpse into the ideas and methods that underpin his research-based, explorative and collaborative works.
Jeff Wall portrait. © White Cube (Theo Christelis).
White Cube presents a generously portioned survey of the trailblazing conceptual photographer, from his disquieting re-enactments of everyday life to his recent mannerist experiments.
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