Lee’s headless heroines and canines are the fifth of the Met’s Genesis Facade Commissions. But what do the Korean artist’s sculptures represent, and what are the influences behind these fantastic creatures?.
Perhaps best known for her eco-opera Sun & Sea (Marina), Lapelytė discusses her approach to improvisation and collaboration, the joy of interacting with architecture and the virtuosity of listening and her new installation at the Cosmic House, London.
Spanning four centuries and diverse cultures, this show of more than 7o works, including paintings, prints, drawings and objects, explores the mysteries and myths of the world beneath our oceans.
With highlights from the Courtauld’s collection of German and Austrian modernist works on paper and some noteworthy loans, this is a must-see exhibition for anyone interested in early modernist expressionism and the graphic arts.
Louise Bourgeois, Sheida Soleimani and Gillian Wearing are among the 30 female artists contributing to a show that is challenging, unsettling and sometimes downright uncomfortable.
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In this mind-blowing and dazzling exhibition, Zajko takes us into a mysterious realm of art and domesticity, of manufacturing and consumption.
With portraits of mosques and people at prayer, the British Asian artist documents the racist stereotyping typically experienced by Muslims across his home city of Birmingham.
This show retraces the roots of the expressionist artists who made up the Blue Rider group, looking at the influences and connections that shaped them.
Two concurrent solo exhibitions paint a much broader portrait of the artist Celia Paul, debunking the myth of her as a recluse and showing us some of who and what went into making her her.
In her films, sculptures, tapestries and prints Barrada plays with the materiality of colour.
The artist’s portraits have flown under the radar, but getting to know his sitters reveals a lot about Munch himself.
From the heart of her installation at the White House in east London, the Romany artist talks about her inspirations, her processes, and how she seeks to deconstruct the stereotypes, language and images that are used to exclude Gypsy, Roma and Traveller communities in broader society.
The sculptor talks about curating These Mad Hybrids: John Hoyland and Contemporary Sculpture, now at the Millenium Gallery, Sheffield, her early career as Anthony Caro’s assistant and why humour is so vital to her work.
The Royal Academy’s new exhibition reveals the mighty French novelist as a fascinating, ever-experimental artist.
The exhibition presents a gamut of international artists who work with artificial intelligence in various ways, exploring a wide range of possibilities offered by this latest technological development.
The National Gallery’s meticulously researched exhibition of medieval Sienese masterpieces is an amassing of wonders that’s worth its weight in gold.
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Critchlow’s six sombrely sexy paintings respond to European painting from the 17th and 18th centuries, asking us to look and look again.
With many objects drawn from Fritsch’s private collection, this first retrospective of the ceramicist in 15 years presents a rare opportunity to see her works.
In her only in-person interview for her latest UK show, now at Fruitmarket, Edinburgh, the artist discusses the role of dreams and her spirituality in the narratives and atmospheres vividly evoked in her transcendental paintings.
Conceived and co-curated by Steve McQueen, this exhibition explores how a century of protest from 1903 to 2003 shaped Britain, and the vital part photography played.
This beautifully illustrated book considers the importance of the American painter and printmaker Mary Cassatt, who moved to Paris, spending time in the company of impressionists and influencing tastes in her native US.
At her studio in the World Trade Center, as she prepares for a solo show at Alison Jacques Gallery in London later this year, the artist talks about using space, surface and colour in her sculptures.
To accompany its exhibition Vanessa Bell: A World of Form and Colour, organised in partnership with Charleston, the MK Gallery held a one-day conference at which experts and enthusiasts discussed the pioneering painter and founder member of the Bloomsbury Group.
