Lewis Biggs is this year’s curator of the Folkestone Triennial, invited to join after 11 years as ...
Alastair Upton is chief executive of The Creative Foundation, an independent visionary arts charity ...
Anna McNay spoke to Ed Atkins about his current exhibition at the Serpentine Sackler Gallery, where ...
Anita Taylor, dean of Bath School of Art and Design at Bath Spa University and the founder of the Je...
Drawn Together: Artist as Selector
Anita Taylor, dean of Bath School of Art and Design at Bath Spa University and the founder of the Je...
Studio International visited the painter Rose Wylie in her studio in Kent, to see the new paintings ...
Ben Quilty’s first solo London show opened at the Saatchi Gallery on 4 July, celebrating his winni...
Richard Jackson: New Paintings
Richard Jackson (born 1939) has been a pre-eminent figure on the American art scene since the 70s an...
We spoke to her ahead of the opening of 512 hours about why, for her, presence is so important, what...
Royal Academy Summer Exhibition 2014
Studio International visited this year’s Royal Academy Summer Exhibition before the party began, a...
Studio International visited the Alan Cristea gallery to talk to the painter Ben Johnson. This is hi...
The multidisciplinary artist Shezad Dawood’s first solo London show opened at the Parasol Unit in ...
Diverse Maniere: Piranesi, Fantasy and Excess
Sir John Soane’s Museum was conceived as a place of inspiration, learning and provocation for “a...
From Gucci to Gaultier: London hosts two major fashion exhibitions
This month sees the opening in London of two major fashion exhibitions: The Glamour of Italian Fashi...
Zhang Enli, interview, Hauser & Wirth, London. We came to see Zhang’s current exhibition at Hauser...
Alex Warren and Tobias Ross-Southall, directors of Eleanor: interview
An extraordinary collaborative enterprise (displayed at the Cob Gallery Camden as a three-screen ins...
Liliane Lijn (b1939) gives Studio International a tour of some of her key works in her north London ...
Kurt Jackson, one of Britain's most celebrated landscape painters, talks to Studio International abo...
Tomás Saraceno’s work encompasses utopian architectural proposals exploring his ideas for a susta...
To mark the start of its 20th year, the Arts Catalyst, an organisation that puts a cultural spin on ...
Siobhan Davies Dance: Table of Contents - video review
Siobhan Davies is an award-winning British dancer and choreographer with a particular interest in th...
Bill Woodrow talks to Studio International about his exhibition at The Royal Academy of Arts, London...
Jules de Balincourt: Itinerant Ones
Balincourt’s exhibition is titled - after one of the paintings in this show - Itinerant Ones....
We are at the Lisson Gallery, London, to see the group exhibition Nostalgic for the Future, shown ea...
Using a carefully balanced combination of PVA glue and acrylic paints – the precise measures of wh...
At the opening of Kara Walker's first UK exhibition, we spoke to her about her work, which is a dark...
It might appear that we are miles away from civilisation. In fact, we are standing in the long derel...
Philomene Pirecki has just been shortlisted for the Max Mara Art Prize for Women. In addition to thi...
Happy to scuff your floors for you, Murillo
In Murillo’s “resourceful” SLG exhibition, just one single patched black canvas hangs ragged o...
Bedwyr Williams is currently representing Wales at the Venice Biennale with The Starry Messenger. He...
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