Karen Russo: ‘I’ve always liked the idea of making films that were som...
Karen Russo talks about her two most recent films, Haus Atlantis and TET-Stadt, which centre on the ...
David Kohn: ‘In trying to broaden what architecture could be, it feels l...
From a house extension modelled on a fox, to a new quad for an Oxford college, to a hotel in the air...
Emma Elliott: ‘Being human is the most important thing. Just being human...
The Passion For Freedom ambassador talks about her current project, which brings together the stigma...
Jiang Dahai: ‘There are universal values shared among artists and schola...
The Chinese-born artist unfolds his search for abstraction in all art, his pursuit of musicality and...
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Magnus Plessen: ‘I try to undo or confuse any preconceived ideas while w...
The German artist talks about his latest show at White Cube in London, which includes paintings done...
Wael Shawky: ‘When you invert language, you make it even stronger’
With two exhibitions of his work opening in Italy this month, Wael Shawky talks about his film-makin...
Monica Bonvicini: ‘It is not merely a display of sculptures and objects ...
The Italian artist talks about her survey show at Baltic and how bringing together her works in new ...
Anthea Hamilton: ‘There is something quite liberating about knowing that...
The Turner Prize-nominated artist talks about her experience of reimagining the Kettle’s Yard coll...
György Jovánovics: ‘A relief shows a dynamic promise, which is more th...
The Hungarian neo-avant-garde relief artist unravels his enduring interest in the abstract possibili...
Maureen Gallace: ‘I wasn’t straining to do anything clever with such a...
For her third solo exhibition at Maureen Paley, London, the New York-based painter shows a group of ...
Peter Wächtler: ‘It’s a strange mixture of respect, and total disresp...
The Berlin and Brussels-based artist discusses the benefits of repetition, grappling with tradition,...
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Helaine Blumenfeld: ‘Beauty has no real meaning any more’
The sculptor talks about her ideas of beauty and pain, and how she learned to express these through ...
Joel Shapiro: ‘As an artist, you are synthesising the stuff around you i...
The influential American sculptor, now in the fifth decade of his career, brings out his wood wall r...
Athena Papadopoulos: ‘Art is a kind of alchemy: turning shit into gold’
Drawing inspiration from her childhood and her womanising, fur-dealer father, Papadopoulos works acr...
Tim Benson: ‘I wanted my work to have more meaning’
The artist talks about storytelling through portraiture, and the human face of Ebola...
James Wilkes: ‘Mind-wandering has became a productive way for us to disr...
The exhibition Rest & its discontents at the Mile End Art Pavilion, London, is one of a number of ev...
John Akomfrah – interview: ‘The question of discourse is absolutely ce...
The artist explains the inspirations for his new split-screen film, Auto da Fé, and talks about the...
Nicolás Herrera: ‘this mural is about life’
Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herrera about his new work, E...
Cecilia Brunson: ‘In the case of Willys de Castro, it’s also a percept...
The Latin American art dealer explains the ethos of her Bermondsey gallery and the importance of the...
Carla Rapoport: ‘I like to think we’re the Elvis of the art world’
The founder of the Lumen Prize says Elvis brought gospel and black music into the mainstream, and sh...
James Richards: ‘I was really into making an exhibition space where ther...
The artist, who will be representing Wales in Venice (Cymru yn Fenis) at next year’s biennale, tal...
Arthur Watson: ‘What connected Nagoya and Chicago was the level of inter...
The artist talks about his current exhibition, Double Diablerie, in which he explores superstitions ...
Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’
Toby Ziegler explains his processes of painting and sanding, and using Google’s reverse image sear...
Joey Holder: ‘I’d like to see a lot more collaboration between the sci...
The artist shows Studio International around her ‘futuristic medical room’ installation and expl...
Simon Starling: ‘A little knowledge is a powerful thing, and too much kn...
The Turner Prize-winning conceptual artist underscores his first institutional show in New York with...
Peter Liversidge: ‘My work is solely about engagement’
The artist talks about the significance of his “proposals”, and discusses his recent project at ...
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Tom Ellis: ‘Defining yourself in opposition to something else is always ...
The British artist talks about context, subversion and what it means to build a career in the middle...
Susan Webster and Stuart Kestenbaum: interview
Maine’s poet laureate Stuart Kestenbaum and artist Susan Webster talk about their recent collabora...
Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...
In the startlingly altered states of Blenheim Palace, the multifarious Michelangelo Pistoletto spoke...
Simon Lewty: ‘I draw only from the imagination’
Lewty, whose work combines fantastic images with text, talks about where his inspiration comes from,...
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