Archive - Results from #300

Published 30/11/-0001

Using a carefully balanced combination of PVA glue and acrylic paints – the precise measures of wh...

At the opening of Kara Walker's first UK exhibition, we spoke to her about her work, which is a dark...

It might appear that we are miles away from civilisation. In fact, we are standing in the long derel...

Philomene Pirecki has just been shortlisted for the Max Mara Art Prize for Women. In addition to thi...

In Murillo’s “resourceful” SLG exhibition, just one single patched black canvas hangs ragged o...

Bedwyr Williams is currently representing Wales at the Venice Biennale with The Starry Messenger. He...

Mayor of London Boris Johnson unveils Hahn/Cock by German artist Katharina Fritsch, the latest sculp...

Miguel Benavides talks to Ibrahim El-Salahi about his Sudanese heritage, his time in prison on unfou...

Before joining the leagues of his subjects, entering into the world of celebrity as a cult director ...

Two masters of British art, two mini retrospective exhibitions, but held together in Tate Britain’...

Hughes' new exhibition at Flowers, Cork Street, includes nine new paintings employing his unique tec...

New Order: British Art Today at the Saatchi Gallery; Pae White at SLG; Rock on Top of Another Rock a...

Inspired by a recent bout of insomnia, using the colours of Black Sabbath’s album cover from Maste...

Placing one rock on top of another is a seemingly simple gesture, and, as the Swiss artistic duo, Pe...

Long associated with its support for emerging artists and early recognition of talents to watch out ...

Liane Lang’s works combine a mixture of photography and grotesquely lifelike silicon and rubber sc...

Lichtenstein: A Retrospective, Tate Modern, London, 21 February – 27 May 2013. Coming on to the ar...

Toby Ross-Southall and Giorgio Bruni...