Apocalypse: Beauty and Horror in Contemporary Art
Apocalypse: Beauty and Horror in Contemporary Art – The exhibition contains the work of thirteen i...
L'Idea del Bello (Beauty as an idea); Le Jardine 2000; La Beauté; Enclosed and Enchanted;...
Bill Viola is included in the National Gallery's exhibition 'Encounters', which was sponsored by Mor...
Caravaggio: A Contemporary View by John Berger, Vol 196 No 998 1983.
Once I was asked to name my favourite painter. I hesitated, searching for the least knowing, most tr...
An interview by Caroline Tisdall (Translated by Caroline Tisdall from an interview held in London on...
Adolf Loos was not the finest architect of the century. But amongst twentieth-century architects, he...
A discussion between Paul Morrissey and Derek Hill – I thought I'd start from the difference betwe...
The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...
Barnett Newman by Don Judd, Studio International 1970
The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...
Cybernetic Serendipity—Getting Rid of Preconceptions
Cybernetic Serendipity exhibition was the demonstration of machine-aided creative processes...
Cybernetic Serendipity: Correspondence
Cybernetics includes all observable systems—whether biological, electronic, industrial, economic o...
Computer Art: The computer performs various functions which in the broader sense seem to be acts of ...
An interview with Marcel Duchamp
Marcel Duchamp '...The whole of modern art—the Impressionists, the Fauves, the Cubists—the whole...
Assemblage: The savage eye of Ed Kienholz
The spirit of anti-art manifest in Dada and never since completely absent from contemporary art deri...
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