Mohamed Bourouissa – interview: ‘I see art as a playground’

Ahead of Mohamed Bourouissa's survey exhibition at Goldsmiths Centre for Contemporary Art, the Paris...

Nick Hornby – interview: ‘Liquefied photography is magical and mysteri...

British artist Nick Hornby talks about his shift from art history to personal histories, and combini...

Michael Visocchi – interview

Scottish artist Michael Visocchi talks about his commission to create a sculpture for South Georgia,...

Moynihan Train Hall: splendour for the masses

Wrought of sheer will, the Moynihan Train Hall, a radiant new gateway to Manhattan, addresses past, ...

Michael Armitage: Paradise Edict

The British Kenyan painter’s first institutional show demonstrates his remarkable development, whi...

Nicole Eisenman: Where I Was, It Shall Be

Nicole Eisenman’s first solo UK presentation for Hauser & Wirth Somerset showcases her large sculp...

Michael Clark: Cosmic Dancer

Through film, sculpture, painting, costume and photography, this wild party of an exhibition celebra...

María Berrío: Flowered Songs and Broken Currents

The eight new works here began as a project about a fictional village and its response to tragedy, b...

Michael Schmidt Retrospective: Photographs 1965-2014

A hometown survey of the Berlin photographer captures a city on the cusp of change, anxious and expe...

Nancy Holt: Points of View

Her enduring interest in language and visual perception, combine in this fascinating yet intimate ex...

Matisse: The Books – book review

This sumptuous publication brings together Matisse’s eight livres d’artiste with meticulous atte...

Natacha Nisic – interview: ‘We needed a place for free expression, a v...

The French artist and film-maker Natacha Nisic talks about The Crown Letter, the international parti...

Nalini Malani – interview: ‘The future is female. There is no other wa...

Malani won the Joan Miró Prize last year and the resulting exhibition, You Don’t Hear Me, is now ...

Mami Kataoka – interview: ‘We need to look at long-term museum managem...

The director of the Mori Art Museum in Tokyo explains how it has used its online presence and social...

Matthew Burrows – interview: ‘I think as an artist and I make as a pai...

The artist talks about his strategies for thinking about painting, how his long-distance running is ...

Mark Titchner – interview: ‘Language is how we relate to the world, th...

His text-based work Please Believe These Days Will Pass has formed a key part of the UK’s early lo...

Nicolaes Maes: Dutch Master of the Golden Age

The National Gallery charts the fascinatingly bisected oeuvre of Nicolaes Maes, whose early genre in...

Oluwole Omofemi – interview: ‘In my paintings, I try to tell the black...

The Nigerian artist talks about how he uses hair – specifically the afro – as a metaphor for fre...

Mary Weatherford: Canyon–Daisy–Eden

This first survey show for the artist features work from 1989 to 2015 and reveals the experimental n...

Maurice Burns – interview: ‘I think musically when I compose my painti...

The artist talks about his current exhibition at Gerald Peters, his first show in New York, his comp...

Masculinities: Liberation Through Photography

I had hoped this would be a show full of challenges and questions, but with its images of bodybuilde...

Museum

Museum focuses on the history of institutional critique and its contemporary manifestations, but fai...

Naum Gabo: Constructions for Real Life

This first major British survey of Gabo’s work in more than 30 years includes paintings, drawings,...

Not Vital: SCARCH

Is there another living artist who has reimagined what architecture is or does quite so comprehensiv...