... nostalgia for that idea is all that remains: the ruin is in ruins.
Yet all is not lost: as we saw in Caulfield’s Ruins, something entirely new can be made from the fra...
... by Ben Uri in the same year) and a smattering of Surrealism in the form of Paul Nash’s Northern Adventure (1929), which, with its curiously displaced window frame, depic...
... was always ready to reach for traditional precedent.
Convincingly Alexandra Harris plots a general retreat into the countryside, by such artists as Paul Nash, Thomas Hen...
... with thematically arranged objects and works from the gallery’s own collection, including prints by Paul Nash and C. R. W. Nevinson, a Toby Jug, a studded leather biker ...
... the objects were all decorated in a similar manner, and the artists enjoyed making them. Perhaps the most successful work produced by Omega, is in the field of textiles. A...
... or those of Englishness in Paul Nash’s Landscape of the Megaliths (1934) and Kane and Deller’s Folk Archive (2005). It is then easy to imagine the multicoloured dots o...
... hollow trunk echoes the 'Thunder-Scarred Tree' of Blake’s Virgil engravings. It is as if Sutherland was anticipating Paul Nash’s question about whether it was possible...
... detailed information of this kind).
Also included in the show is Paul Nash's 'Grotto in the Snow' (1939), which indeed looks more like an air raid shelter of the type be...
... Paul Nash, CRW Nevinson and Stanley Spencer, all of whom were to gain major recognition in their own right as widely differing artists. Roberts, always himself a most inde...
... already contained gems of early British modernism, such as works by Sutherland (from Hussey), Bawden, Epstein, Duncan Grant, Ivon Hitchens, John Minton, Paul Nash, John Pi...
... in 'The Poetry of Crisis', especially Paul Nash and Graham Sutherland.
The first Nash painting in the exhibition is 'Study of a Wooded Landscape' (1935), a...
... of key tutors there such as Paul Nash, Edward Johnston and Harold Stabler. Here, Ravilious focused on mural painting, while Bawden pursued book illustration. Both artists ...
... 'the cool planar structuring of Piero della Francesca'. He returned to the RCA again in 1925, and was fortunate to have Paul Nash, then a part-time tutor. Ravilious became...
... Paul Nash wrote in the Listener that abstract art was again very much alive. He wrote:
What is wanted in England is greater mental independence, an intelligent, unprej...