Esther Pearl Watson – interview: ‘I really search out moments of awkwa...

The Los Angeles-based painter presents an offbeat world that reflects on a distinctly American kind ...

AlanJames Burns: ‘I’m embedding the cave with an assumed consciousness...

Burns guides us around the cave where his latest installation is taking place and explains that, his...

Dóra Maurer

This is a fascinating insight into the joyous experimental work of this Hungarian-born artist, who s...

Jo Spence and Oreet Ashery: Misbehaving Bodies

This bold exhibition brings together two challenging female artists insistent on exploring identity ...

Rachel Howard – interview: ‘I like to contradict myself, trip myself u...

The artist talks about her interest in madness and the edge of things and the five large-scale paint...

Fiona Tan: Disorient

Tan’s two-screen video installation is an unsettling look at the legacy of colonialism and a stark...

David Batchelor: My Own Private Bauhaus

Batchelor’s playful exploration of colour through sculpture, installation and painting pays tribut...

Nicoline van Harskamp – interview: ‘Once you start thinking about name...

Van Harskamp is a woman obsessed by language. Here she talks about people’s names, what she calls ...

David Wojnarowicz: History Keeps Me Awake at Night

A comprehensive survey of the impassioned American artist and writer proves his relevance then and n...

Game, Set, Match: Three concepts of the artist’s book

An exhibition of artists’ books, including works by Yves Klein, Andy Warhol and Thomas Hirschhorn,...

Sohrab Hura – interview: ‘The only thing I can take responsibility for...

The photographer talks about his new book, Coast, and his aim of sucking viewers in with a narrative...

Fra Angelico and the Rise of the Florentine Renaissance

An exquisite exhibition at the Prado reveals the most joyous and serene of Italian artists as a pivo...

Bartolomé Bermejo: Master of the Spanish Renaissance

A display of paintings by Spanish Renaissance painter Bartolomé Bermejo forms a picture of religiou...

Bertille Bak – interview: ‘The world of art is a territory capable of ...

At the Merz Foundation in Turin, on the occasion of its third art prize, Bertille Bak reflects on a ...

Leila Heller – interview: ‘The Upper East Side is hot again and I love...

Gallerist Leila Heller talks about showing Andy Warhol and Jean-Michel Basquiat in the 1980s, after ...

Anthony Luvera – interview: ‘Photography is a way of telling stories a...

Luvera is the editor of Photography for Whom?, a new journal focusing on community photography proje...

Junya Ishigami’s Serpentine Pavilion

Perhaps this is an idea that looked good on paper, but with its dark slate roof and unstable-looking...

France-Lise McGurn – interview: ‘I think I’ve got a certain aestheti...

McGurn talks about motherhood, sleeplessness and strangeness in Glasgow, Berlin and Ibiza, and how t...

Ima-Abasi Okon

Old air-conditioning units, poor-quality ceiling tiles coated with ultrasound gel and gold – the u...

Andermatt Concert Hall

The Andermatt Concert Hall is a world-class auditorium, the first in the Swiss Alps, designed by arc...

Leo Warner – interview: ‘If you put the technology first, you can end ...

Warner, design director of multimedia visual artists and impresarios 59 Productions talks about coll...

Alberto Giacometti: A Line Through Time

This remarkable show traces Giacometti’s artistic career, displaying his works alongside those of ...

Issy Wood: All The Rage

Wood’s tragicomic paintings explore the apathetic alienation symptomatic of a networked, throwaway...

Patrick Staff: The Prince of Homburg

Through video installation, sculpture and printmaking, Staff uses a play from 1810 as a vehicle to e...