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Michael Andrews revisited

If there was ever a clearer purpose and definition of the respective rationale behind the division o...

Milton Avery Late Works — Landscapes and Seascapes, 1951–1963

It was an unexpected pleasure to see an exhibition of Milton Avery paintings in London this Autumn (...

Michael Andrews

In the summer of 1986 there burst upon London, virtually unheralded, a major series of paintings, by...

Marcel Duchamp's Anémic-Cinéma

Translating the nine linguistic configurations of Marcel Duchamp’s film ANÉMIC-CINÉMA is impossi...

On Purpose: An enquiry into the possible roles of the computer in art

This is not another article about ‘computer art’...

On art and technology

One nice thing about technology is that it can neither be called serious nor the opposite. It just i...

New York Commentary, June 1968

'Dada, Surrealism and their heritage’ at the Museum of Modern Art: Isamu Noguchi at the Whitney Mu...

Non-games

The esoteric books and games we are involved with here are those which one cannot do anything with. ...

No Tension In Machines

Clacking, ticking and now and then breaking down, an exhibition at New York University's Art Gallery...

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