Wrestling with the Angel in the Modern Age

Valerie Hird: What Did Happen to Alice; My Avatar

Epilogue: Michael West’s Monochrome Climax

Shneel Malik – interview: ‘I’m a crazy optimist. I know that the right opportunity comes at the right time’

The Essential Louis Kahn – book review

Grief and Grievance: Art and Mourning in America – book review

Luiz Zerbini – interview: ‘I treat a painting as an oracle’

Rubens to Sickert: The Study of Drawing

Jens Fänge – interview: ‘I try to come to a painting from a different angle each time’

Private art museums – ‘I like to collect by myself and make decisions by myself’

Artes Mundi 9

The Gee’s Bend Quiltmakers

Kusama: Cosmic Nature

Matt Jukes – interview: ‘You need to dream big, so you can shoot for the stars, and maybe reach the moon’

Idris Khan – interview: ‘There was a struggle making these works’

Rachel Whiteread – interview: ‘I’ve always picked things up. I’m a magpie and I play around with things’

Harold Offeh – interview: ‘I am always asking: who is not part of the conversation? That is who you need to be addressing’

Sadie Morgan – interview: ‘When you’re part of a community, architecture becomes an ingredient in a much more complex organism’

Claire Ashley – interview: ‘I’m not an artist who is scared about the word entertainment’

Peter Kennard – interview: ‘Montage is about allowing people to think critically’

Unearthed: Photography’s Roots

Philip Hughes – interview: ‘Drawing captures the memory of a place like a diary’

Armin Linke – interview: ‘We have to look at different categories of photography and the artistic practice is re-framing them’

Crystal Fischetti – interview: ‘I use my whole body when I paint’

Nick Hornby – interview: ‘Liquefied photography is magical and mysterious’

Markus Lüpertz: Recent Paintings

Off the Record

Hurvin Anderson – interview: ‘I am looking at where things collide, how these things respond to each other’

Destination Art – book review

Sam McKinniss: Country Western

Jadé Fadojutimi – interview: ‘I bathe in the conversations between colour, texture, line, form, composition, rhythm, marks and disturbances’

The Art Museum in Modern Times – book review

Art for SDGs: Kitakyushu Art Festival – Imagining Our Future

Prabhakar Pachpute – interview: ‘I juxtapose memories and what is happening in real life’

Anne Hardy – interview: ‘I’m interested in residues, leftovers, stranded things, as carriers of potential’

Ayashii: Decadent and Grotesque Images of Beauty in Modern Japanese Art

Sara Barker – interview: ‘I tackle sculpture from the position of painting and vice versa’

Mohamed Bourouissa – interview: ‘I see art as a playground’

Modal Painting

Grief and Grievance: Art and Mourning in America

Lana Locke – interview: ‘I look more at the racial connotations of colour and whiteness in relation to the laundry rather than dirt itself’

Eleanor May Watson – interview: ‘Home is a sanctuary, but also a really complicated space for most people’

Michael Visocchi – interview

Art appreciation in the metaverse

Julie Mehretu

Clare Patey – interview: ‘People don’t take humour seriously enough’

Vision & Reality: 100 Years of Contemporary Art in Wakefield

Frick Madison provides temporary home for the Frick Collection

Tako Taal and Adam Benmakhlouf – interview: ‘This slow-motion style of festival creates a community of audience members’

Lina Ghotmeh – interview: ‘Sometimes I wonder whether I am constructing something new or revealing what was already there’

Mika Tajima: Regulation

Wrestling with the Angel in the Modern Age