Wrestling with the Angel in the Modern Age

Jennifer Wen Ma: ‘With the pandemic and the turbulent political situation, the work had to be more reflective, it had to bind up wounds’

Visions of Heaven: Dante and the Art of Divine Light by Martin Kemp – book review

Leiko Ikemura – interview: ‘I think we have this inner life, and this inner life has a kind of physiognomy’

The Story of the Country House: A History of Places and People – book review

Noguchi

Annie Morris – interview: ‘All my work revolves around experiences I’ve had. A lot is based on things I’m not comfortable talking about’

Bourse de Commerce, the new François Pinault Art Museum in Paris

Joan Eardley: Centenary

Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix)

Surrealism Beyond Borders

Catsou Roberts – interview: ‘It is our duty to the NHS to elicit the production of remarkable artwork’

Alastair Gordon – interview: ‘For me, painting and faith are very much intertwined, like the warp and weft of a tapestry’

The impact of the Covid-19 pandemic on artists: ‘It was necessary for artists to feel that they are still in a network’

Tokyo: Art and Photography

Peter Freeth: 40 Years of Aquatints

Mit Jai Inn: Dreamworld

Jasper Johns: Mind/Mirror

Marina Abramović: Seven Deaths

The Renaissance Cities: Art in Florence, Rome and Venice by Norbert Wolf – book review

Restitution: The Return of Cultural Artefacts – book review

Disciples of Dóra Maurer

Gustave Moreau: The Fables

Phyllis Christopher – interview: ‘We had come out, people were dying, we had nothing to lose, so we just wanted to have the best party’

Matthew Krishanu – interview: ‘I want my paintings to exist somewhere between the precision of a photograph and something looser’

Hilda Kortei: Waitless Beyond Blue

Tess Jaray: Thinking on Paper by Tess Jaray – book review

Tal R by Martin Herbert – book review

Angela Heisch – interview: ‘I think of these works as theatrical – they’re emotive and dramatic as well as gestural’

Simone Fattal: Finding a Way

Nneka Uzoigwe – interview: ‘I find plein air painting extraordinary because there’s so much information to capture and there are so many elements’

Yoan Capote – interview: ‘When a Cuban looks at the sea, he remembers the isolation and pain of thousands of families’

Gijs Van Vaerenbergh – interview: ‘We are always experimenting with the extremities of architecture, space, sculpture and form’

Turi Simeti (1929-2021): A Homage

Doron Langberg – interview: ‘There's this rush of empathy and emotion’

Mixing It Up: Painting Today

The Armory Show 2021

Helsinki Biennial and Helsinki Design Week

Sarah Sze

British Ceramics Biennial 2021

Matthew Wong: Footsteps in the Wind, Ink Drawings 2013-2017

Kenji Hirasawa – interview: ‘I approach the sitter like a guardian angel, watching over them from far away’

National Gallery Outdoor Exhibition

Thomas Joshua Cooper: The World’s Edge

Hans Op de Beeck – interview: ‘It’s about suspension of disbelief and how far you can take a spectator into something undeniably fake’

Ibrahim Mahama: Lazarus

The Lost Leonardo – film review

Adam Jeppesen – interview: ‘I embrace imperfection’

Wrestling with the Angel in the Modern Age