National Academy of Sciences, Washington DC
12-15 March 2018
by MIGUEL BENAVIDES
“Cybernetics – a science of control and communication in complex electronic machines like computers and the human nervous system”
“Serendipity – the faculty of making happy chance discoveries”
In 1968, Jasia Reichardt curated the first major computer and art show, Cybernetic Serendipity: The Computer and the Arts, which took place at the Institute of Contemporary Arts (ICA) in London from 2 August to 20 October that year. To coincide with the exhibition, a special Issue of Studio International was published. The exhibition travelled to the US and was shown at the Corcoran Gallery of Art in Washington DC and later at the Exploratorium in San Francisco.
Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968. Cover design by Franciszka Themerson.
Music, dance, poetry, painting, graphics, animation, robotics and architecture were some of the topics covered in this computer arts exhibition. A great number of artists and scientists from around the world presented their works, among them Wen-Ying Tsai, Nam June Paik, Georg Nees and Frieder Nake. Corporations also showcased their technology and visualisation software, including IBM, Boeing Honeywell and Calcomp. Major universities, mainly from the US and the UK, were also represented.
Five-year guaranty (featuring Nam June Paik) by Norman Bauman. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 42.
In the introduction to the catalogue, Reichardt wrote: “Cybernetic Serendipity is an international exhibition exploring and demonstrating some of the relationships between technology and creativity … The aim [of this exhibition] is to present an area of activity which manifests artists’ involvement with science, and the scientists’ involvement with the arts; also to show the links between the random systems employed by artists, composers and poets, and those involved with the making and the use of cybernetic devices.”
Although, through the years, many institutions and galleries have mounted exhibitions on computers and the arts, none came close to the original.
A few years ago, I decided it was important for Studio International to celebrate the Cybernetic Serendipity 50th anniversary with a symposium and exhibition, and that the best venue would be a scientific institution. I had a vision of including legendary and contemporary artists from around the world who work on, or are influenced by, cyber art, including painters, sculptors, musicians, designers, architects and people involved in gaming, data visualisation, animation, robotics and so on.
So, it gives me a great pleasure to inform you that we will be celebrating the Cybernetic Serendipity 50th Anniversary at the National Academy of Sciences in Washington DC.
• Role/Play: Collaborative Creativity and Creative Collaborations Student Fellows Symposium will take place on 12 March 2018.
• Creativity and Collaboration: Revisiting Cybernetic Serendipity will take place on 13 and 14 March 2018.
I am delighted and honoured that Jasia Reichardt is taking part and will give the opening speech.
For additional information, please visit the Arthur M Sackler Colloquium’s Cybernetic Serendipity 50th Anniversary page.
There is a subsidized registration of only $50 available for 100 artists/students who want to attend this important event. To apply, please select the subsidized option on the registration page.
This event will be webcast live.
As we did in 1968, Studio International will publish the proceedings, in book format, of this important Arthur M Sackler Colloquium in 2018. To commemorate this occasion, the original Cybernetic Serendipity issue will also be reprinted.
Studio International will also honour up to three people who have contributed to the advancement of the arts, sciences and humanities with the Studio International Cybernetic Serendipity 50th Anniversary Award. Details to follow.
In addition, working together with Dr Fabrizio Poltronieri, I have designed a new interactive 3D interface for Studio to feature works in this genre, which is being revealed today, 1 January 2018.
We look forward to working together with artists and cultural institutions from around the world.
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William Roberts: England at Play
The new Pallant House Gallery was described and reviewed on this website in 2006. The magnificent Wilson collection acquisition has created in this corner of England a remarkable focus on 20th-century British art, predominantly painting. Now this show of the work of William Roberts RA, a quintessential British master, celebrates the 25th anniversary of the original Pallant Gallery by filling an important gap in the general revision and updating of modern British masters.
Robert Rauschenberg: Combines
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Papunya painting: out of the desert
Art is a central force in Aboriginal culture and a critical political tool. Through an understanding of the art it has been possible to make a case for Aboriginal rights. The Sydney Olympics in 2000 were used both to expose the dreadfully inhuman conditions under which many Australian Aborigines still lived, and also to incorporate Aboriginal art and ritual into contemporary culture. Thousands of Aborigines took part in the superb theatrical ceremony; a great part of which was inspired and dedicated to the history of Australia before the arrival of white European settlers.