Trulee Hall – interview: ‘When I say “whore”, I wouldn’t say tha...
Trulee Hall talks about her multimedia practice, her views on sex and voyeurism, and how she hopes h...
Monica von Schmalensee – interview: ‘Architecture is an instrument for...
Von Schmalensee, former CEO and now partner of White Arkitekter, has advised the Swedish government ...
Susie MacMurray – interview: ‘A feather is never just a feather, and a...
Susie MacMurray talks about how she uses art to raise questions rather than make statements, and abo...
Emily Jacir – interview: ‘I wanted the locals to show me what was impo...
The artist talks about her stone sculpture, Pietrapertosa, created as part of the Gardentopia projec...
Eleanor Bartlett – interview: ‘When you see a great lump of tar, it’...
Eleanor Bartlett talks about why she favours working with bitumen, metal paint and wax and why colou...
Ali Kazim – interview: ‘When I picked up a pottery shard and it had so...
The artist talks about looking to ancient civilisations for inspiration, why he doesn’t like worki...
Arik Levy and Zoé Ouvrier – interview: ‘We definitely influence each ...
Ahead of their first joint exhibition, Beyond Nature, the artists talk about their relationship to n...
Ann Veronica Janssens — interview: ‘I try to make visible the invisibl...
The Belgian artist discusses her perception-bending work, currently on display at the South London G...
Tim Clark – interview: ‘This set of Hokusai’s drawings is a really i...
The British Museum has just bought 103 newly rediscovered drawings by Hokusai. Tim Clark, the museum...
Billie Zangewa – interview: ‘I realised that I had chosen to embody th...
Johannesburg-based Billie Zangewa, whose work is currently on show at Lehmann Maupin in New York, ta...
Christina Quarles – interview: ‘These works are holding onto that slow...
Created during lockdown, against a backdrop of rising deaths from Covid, the police killing of Georg...
Huma Bhabha – interview: ‘The more complicated and layered the work is...
The artist explains how working for a taxidermist helped her with sculpture, why she is fond of mate...
Krištof Kintera – interview: ‘Humour helps us to survive’
Unable to install The End of Fun! at Ikon in Birmingham because of Covid-19 travel restrictions, Kin...
Alexandre da Cunha – interview: ‘All my work is about combining things...
The artist discusses his use of found objects, the place of autobiography in his work, his fascinati...
Pamela Phatsimo Sunstrum – interview: ‘I needed to put my own body on ...
Through multilayered works that merge vibrant female figures with fantastical landscapes, the South ...
Craig Gough – interview: ‘Improvisation in painting is a lot like jazz...
Now in his 80s, Gough continues to paint his vast abstract canvases. He talks about his long career ...
Jacqueline Poncelet – interview: ‘Uncertainty is all right; it gives u...
A major UK survey exhibition of her work reveals the restless creativity and curiosity of this talen...
Emma Critchley – interview: ‘Being underwater where everything complet...
She has worked with dancers in the world’s deepest swimming pool, with scientists investigating gl...
Alberta Whittle – interview: ‘No one can find Barbados on a map, where...
The artist talks about the erasure of black people in everyday society, and how this informs and mot...
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Heather Phillipson – interview: ‘I wanted to respond to the loaded pol...
With her sculpture THE END finally installed in Trafalgar Square, after a delay due to Covid-19, and...
Kate Mieczkowska – interview: ‘I have always loved being in front of a...
The artist talks about the development of her art practice and her curatorial debut, Goddess Now...
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Natacha Nisic – interview: ‘We needed a place for free expression, a v...
The French artist and film-maker Natacha Nisic talks about The Crown Letter, the international parti...
Pat Steir – interview: ‘I want the paint to make the painting, to make...
She discusses a new, candid documentary of her life, and talks about her art practice and the influe...
Aliza Nisenbaum – interview: ‘I’ve found Zoom surprisingly intimate....
Nisenbaum is preparing for two exhibitions this year, one at Anton Kern Gallery in New York and one ...
Sam Lucas – interview: ‘I do not make pretty things: they are conversa...
The artist talks about clay’s therapeutic and expressive qualities, and how her work helps her to ...
Nalini Malani – interview: ‘The future is female. There is no other wa...
Malani won the Joan Miró Prize last year and the resulting exhibition, You Don’t Hear Me, is now ...
Toby Deveson – interview: ‘There is definitely a sense of seeking perf...
The photographer talks about his love of landscapes, his instinctive composition, and that elusive s...
Andrew Litten – interview: ‘I like the feeling that my work is emotion...
The artist talks about his concern with expressing human vulnerability and encouraging empathy and c...
Mami Kataoka – interview: ‘We need to look at long-term museum managem...
The director of the Mori Art Museum in Tokyo explains how it has used its online presence and social...
Stefan Brüggemann – interview: ‘The language in the work adapts to th...
The artist explains why he has painted a building in Folkestone in gold leaf and scrawled OK across ...
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