Published  24/07/2012

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Mary Grigoriadis, Rain Dance, 1974. Oil and acrylic on linen, 66 × 66 in (167.64 × 167.64 cm). Courtesy of the artist and Accola Griefen Fine Art. Photo: Phoebe d’Heurle.

With Pleasure: Pattern and Decoration in American Art 1972–1985


With Pleasure: Pattern and Deco...

Veronica Ryan. Multiple Conversations (tea bag detail), 2019-21. Clay, seeds, pillow case, medical pillow, tape, elastic, coral, volcanic ash, doily, cocoa pod, other materials. Dimensions variable (28 individual pieces on shelf and on wall, shelf 129.9 x 30.8 x 12 cm).

Veronica Ryan: Along a Spectrum

wapped for tiny pieces of what looks like gravel, and at their centre a flourish of luminous green ...

Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris

Walter Price: Pearl Lines


Walter Price: Pearl Lines

Price’s works reflect the instabi...

Valerie Hird.

Valerie Hird: What Did Happen to Alice; My Avatar


Valerie Hird: What Did Happe...

Magali Reus, Harlequin Darts, 2016. Acquired through a partnership between the Contemporary Art Society, Henry Moore Foundation and Cathy Wills, 2019. Photo: Lewis Ronald (Plastiques).

Vision & Reality: 100 Years of Contemporary Art in Wakefield


Vision & Reality: 100 Years of C...

Slime Engine. Headlines, A Good Outbreak, 2020.

We=Link: Ten Easy Pieces


We=Link: Ten Easy Pieces

An online exhibition of new net art c...

Marion Greenwood. Construction Worker (study for Blueprint for Living, a Federal Art Project mural, Red Hook Community Building, Brooklyn, New York), 1940. Fresco mounted on composition board, 18 x 24 1/2 in (45.7 x 62.2 cm). Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York; gift of Mrs. Patricia Ashley.

Vida Americana: Mexican Muralists Remake American Art, 1925-45


Vida Americana: Mexican Muralists ...

Ralph Griffin, Eagle, 1988. Photo: Stephen Pitkin, Pitkin Studio.

We Will Walk: Art and Resistance in the American South


We Will Walk: Art and Resistance in the Am...

Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432 (detail). Oil on panel. Saint Bavo’s Cathedral, Ghent. © - Art in Flanders vzw.

Van Eyck: An Optical Revolution


Van Eyck: An Optical Revolution

Celebrating the first s...

Vivian Suter, Nisyros (Vivian’s bed), 2016–17. Oil, pigment, and fish glue on canvas and paper, and volcanics, earth, botanical matter, microorganisms, and wood, 110 x 86 cm. © Courtesy of the artist and Karma International, Zurich and Los Angeles; Gladstone Gallery, New York and Brussels; House of Gaga, Mexico City; and Proyectos Ultravioleta, Guatemala City.

Vivian Suter


Vivian Suter

The Swiss-Argentine artist’s first exhibition in Britain is...

VALIE EXPORT, 2019. Courtesy Galerie Thaddaeus Ropac, London | Paris | Salzburg. Photo: Ben Westoby.

VALIE EXPORT – interview: ‘My artworks are still a rebellion against t...

Anna McNay: Your exhibition at Galerie Thaddaeus Ropac ...

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