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Published 24/07/2012
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Harold Offeh – interview: ‘I am always asking: who is not part of the ...
Veronica Simpson: I was so pleased when you were announ...
Peter Kennard – interview: ‘Montage is about allowing people to think ...
JOE LLOYD: You began as a painter. What were you earlie...
Lana Locke – interview: ‘I look more at the racial connotations of col...
Christiana Spens:
In Journeys of a Lau...
Shneel Malik – interview: ‘I’m a crazy optimist. I know that the rig...
Veronica Simpson:
What was your journe...
Jens Fänge – interview: ‘I try to come to a painting from a different...
Joe Lloyd:
In your 2018 exhibition at ...
Vision & Reality: 100 Years of Contemporary Art in Wakefield
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Vision & Reality: 100 Years of C...
Eleanor May Watson – interview: ‘Home is a sanctuary, but also a reall...
Emily Spicer: Can you tell me about your 2017 exhibitio...
Sadie Morgan – interview: ‘When you’re part of a community, architec...
Veronica Simpson: You have said that when the three fou...
Crystal Fischetti – interview: ‘I use my whole body when I paint’
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Crystal Fischetti – int...
Grief and Grievance: Art and Mourning in America – book review
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Grief and Grievance: Art and Mou...
Prabhakar Pachpute – interview: ‘I juxtapose memories and what is happ...
Anna McNay: You were born in the Indian state of Mahara...
Unearthed: Photography’s Roots
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Unearthed: Photography’s Roots
The first major exhib...
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