Digital and networked art in lockdown: how can we be creative in new ways?

. This uses his Mutator system, a highly sophis...

Kyoto City Kyocera Museum of Art facade. Photo: Koroda Takeru.

Revamped Kyoto City Kyocera Museum of Art is soon to reopen

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Revamped Kyoto City Kyocera Museum of...

Ken Done – interview: ‘We white blokes could learn from collaboration ...

Janet McKenzie: I’m glad that you and your wife, Judy...

Robert Fitzmaurice and a visualisation of The Deity at Sandham Memorial Chapel. © the artist.

Robert Fitzmaurice – interview: ‘I started to truncate the figure a lo...

Anna McNay: I was meant to be visiting...

Nanda Vigo (1936-2020)

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Nanda Vigo (1936-2020)

Nanda Vigo, the multifaceted protagonist ...

Hilarie Mais – interview: ‘I draw what I am working on as a way of und...

Janet McKenzie: New York in the 1970s ...

The effects of Covid-19 on Italian museums: interviews with the directors ...

hrough our digital channels, and, via a photographic an...

Alexandra Daisy Ginsberg – interview: ‘We need to radically rethink ou...

Veronica Simpson: These are very troubled and worrying ...

Domestic Bliss

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Domestic Bliss

This exhibition of works from Glasgow Museums’ collecti...

John Newling: Dear Nature

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John Newling: Dear Nature

Newling’s ecological artworks pro...

Glasgow International 2020: Digital Platform

Yuko Mohri, Everything Flows – Distance, 2020.
[video1]

Someth...

Helen Cammock – interview: ‘Creativity requires a space of idleness, o...

David Trigg: Wysing Arts Centre feels quite remote. Wha...

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