Tabita Rezaire: ‘Reclamation allowed me to glow into my blackness, woman...
The artist talks about ‘decolonial healing’, her response to cyber-racism and the distorted repr...
Edmund Clark: ‘The intervention, the control, the censorship is part of ...
Edmund Clark discusses his recent residency at the UK’s only wholly therapeutic prison, HMP Grendo...
Bharti Kher: ‘In the way a kitchen has many different things cooking at ...
Kher talks about the difficulty of being identified as an ‘Indian’ artist, being a procrastinato...
Peter Hill: ‘I have a love for the solitude of lighthouses at one extrem...
The artist talks about his creation of a fictional museum, his current lecture tour, Fake News + Sup...
Latif Al Ani: ‘I was documenting for the sake of archiving. I never thou...
The Iraqi photographer considers his photographic preservation of a long-vanished Iraq, his preoccup...
Ania Dabrowska: ‘By the retelling of archival stories we have the power ...
Ania Dabrowska (b1973) is a Polish-born artist now living in London. She works with photography, mov...
Köken Ergun: ‘In Turkey, the image of the soldier has been victimised b...
The Turkish film-maker talks about his 2005 video I, Soldier, and its relevance to the political sit...
Shirazeh Houshiary: ‘We can’t fix our identity or our borders, the onl...
Houshiary talks about evolution, Einstein and shamans, and how her work involves thinking in other d...
John Stezaker: ‘I was trying to create a sort of photographic cubism’
The British artist discusses a series of 1970s collages that launched his career, and which have bee...
Nnenna Okore: ‘My work seeks to highlight Earth’s vulnerability and fr...
Okore’s sculptures are poetic odes to the natural world. But beneath the delicate beauty there lie...
William Kentridge: ‘One needs sometimes to show the power of the irratio...
William Kentridge talks about his recent performance of Kurt Schwitters’ sound poem Ursonate, dada...
Veronica Ryan: ‘I’m interested in the semantics of perception’
The artist talks about her continuing connection with the sculptures of Barbara Hepworth, and how he...
Arthur Watson: ‘Central to the organisation of the show was that work wo...
The president of the Royal Scottish Academy discusses Ages of Wonder: Scotland’s Art 1540 to Now, ...
Neha Choksi: ‘Transformations necessitate lost pasts and renewals of fut...
Through her latest work, a multichannel video installation entitled Faith in friction that features ...
Zoë Buckman: ‘One role of feminism is to address and reframe how we con...
The London-born, New York-based artist known for incorporating highly personal motifs, such as embro...
Antony Gormley: ‘Looking back at the paths you have taken is a really im...
The artist talks about collaborating on a major new book about his career, the evolution of his work...
Pamela Schilderman: ‘I really wanted people to think about what it is th...
What makes a portrait? What defines a person’s identity? These are questions at the core of Schild...
Maria Alyokhina: ‘The government media calls us enemies of the people ...
Political activist and Pussy Riot member Maria Alyokhina talks to Studio International at the Saatch...
Stan Douglas: ‘A re-enactment is an event that becomes processed in memo...
Photographer and film artist Stan Douglas talks about his new works, which extend his interest in hi...
Grace Weir: ‘I often think through the camera’
In Irish film artist Grace Weir’s latest exhibition, Unfolded, past and present, the real and repr...
Juno Calypso: ‘Male critics don’t think women are funny, they don’t ...
London-based photographer Juno Calypso talks about femininity and disappointment in a man’s world...
Zarah Hussain: ‘I don’t think something that’s spiritual precludes t...
Zarah Hussain (b1980, Cheshire, UK) places her work at “the intersection of science and spirituali...
Nicolás Herrera: Enchanted Nature – Deforestation and the Environment
Enchanted Nature: Deforestation and the Environment, on show in Beijing, is an exhibition of 61 draw...
Julie Montgarrett: ‘I have always gravitated to the seductive character ...
Australian artist Julie Montgarrett uses her work to explore the continent’s problematic colonial ...
Pavel Brăila: 'Roots are the most important thing that we have’
After a summer of double Documentas, the Moldovan artist Pavel Brăila is now included in the second...
Nathalie Du Pasquier: ‘From the beginning, I did not belong to the desig...
In her first comprehensive survey in the US, the artist and designer reveals a diverse and colourful...
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Katriona Beales: ‘It’s not the internet that is malevolent, but the wa...
Following the opening of Are We All Addicts Now? at London’s Furtherfield, Katriona Beales, the ex...
James Richards: Music for the gift – Wales in Venice, 2017
Wales has always punched above its weight at the Biennale, and 2017 is no exception. This year – f...
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Robert Longo: ‘I’m making artworks out of dust’
At his first solo exhibition in London, New York artist Robert Longo talks about charcoal, photograp...
Ross Birrell: ‘I saw a possible way to draw a relationship between art a...
Ross Birrell talks horses, endurance and taking risks in relation to two works for Documenta, his fi...
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