Mark Fox, who was brought up as a Catholic, has issues with certain of the religion’s doctrines an...
Frieder Nake’s work is from 1965, a pioneering example of computer art in which the image is wholl...
Bao Pei uses ink and paper in the tradition of Chinese ink painting, but makes her work abstract, an...
Jacob Hashimoto: ‘The history of art is full of cultural appropriators. ...
The artist talks about The Eclipse, an installation comprising thousands of paper kites, and Never C...
Ardan Özmenoğlu: ‘For me, repetition is the only way that you can reac...
The Turkish artist known for her distinctive works with Post-it notes talks about how she turns them...
Leonor Antunes: ‘I’m interested in ancient ways of doing things’
The sculptor talks about learning traditional crafts, the Smithsons’ Solar Pavilion, creating an e...
Henry Skerritt and Margo Smith talk about the Kluge-Ruhe Aboriginal Art Co...
With more than 1,900 works, the Kluge-Ruhe Aboriginal Art Collection at the University of Virginia i...
Mark Wallinger: ‘I’m reversing what happens at Madame Tussauds’
The Human Figure in Space returns this Turner Prize-winning British artist to his longstanding inter...
David Chipperfield: ‘Architecture shouldn’t exist on its own. There is...
Fresh from his transformation of the Royal Academy of Arts, David Chipperfield talks about architect...
Alicia Kopf: ‘My idea is to appropriate polar history to a present-day s...
Catalan artist Alicia Kopf has won acclaim for her novel Brother in Ice, which sits at the pinnacle ...
Teresa Lawton: Tipping the Balance
Lawton’s paintings are inspired by her love of Dorset, where she explore the shapes and colours of...
Shelley Himmelstein: Soccerscapes – Fifa World Cup Series; Michael Sorga...
Gallery director Randall Harris explains how this double show came about, while Himmelstein talks ab...
Ruimteveldwerk: ‘It is more like an understatement that creates an exper...
A social experiment investigating themes of being offline, privacy, and silence in the city brings a...
Joana Vasconcelos: I’m Your Mirror
Joana Vasconcelos has filled the Guggenheim Bilbao with work from the past 20 years. She talks about...
John Powers: ‘Abstraction isn’t a technology or technique, it’s more...
Responding to the history of the city of Bruges, John Powers’ 15-metre-tall steel tower was constr...
Katharina Sieverding: ‘I also make fake news’
Part of the collateral programme of this year’s Manifesta Biennial in Palermo is a career-spanning...
Samaneh Moafi of Forensic Architecture: ‘We are taking something that is...
Forensic Architecture has never designed a building. Instead, it acts as an architectural detective ...
Alex Mirutziu: ‘I’m interested in error, misunderstanding, correction...
The Romanian artist talks about his latest exhibition, examining the life and work of Iris Murdoch, ...
Baldwin and Guggisberg: ‘If you’re not in a white cube it forces you t...
Having just installed 10, mostly blown-glass pieces around Canterbury Cathedral for their exhibition...
True Colours: Helen Beard, Sadie Laska and Boo Saville
True Colours, curated by Damien Hirst for his Newport Street Gallery in London, shows works by Beard...
Saville’s fields of colour shimmer, each massive painting drawing you in and, once you are up clos...
New York-based Sadie Laska, who is both a painter and a drummer, brings her improvisation skills int...
Helen Beard’s striking and marvellously simplified, flat colour images, take you by surprise in a ...
Catherine Parsonage: ‘I wanted to break things apart, let everything be ...
The artist talks about how living in Rome has changed her work, why she is so interested in bodily f...
Eve Fowler: ‘Stein’s work really affected me’
The artist talks about her latest exhibition, What a slight, what a sound, what a universal shudder,...
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Manuel Mathieu: ‘Life experience sometimes forces you to see things that...
The Haitian artist talks about coming to terms with his country’s turbulent history and some perso...
James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...
James Edgar and Sam Walker talk about Assembly Point, their co-founded gallery, studio space and pub...
![Sarah Morris. Big Ben [2012], for Art on the Underground, Gloucester Road station, London, 11 June 2012 – 1 September 2013. Photograph: Thierry Bal.](/images/articles/a/083-art-on-underground-2018/smallpix/BigBen_SarahMorris_GloucesterRoad_2012_PhotoThierryBal-300.jpg)
Eleanor Pinfield: ‘London – and London Underground - deserves to have ...
Pinfield is Head of Art on the Underground, which has commissioned work by Cindy Sherman, David Shri...
Vera Molnár: ‘I have no regrets. My life is squares, triangles, lines’
Vera Molnár, the pioneer of computer-assisted art, recounts her love affair with lines, the balanci...
David Cross: ‘Art is what fills the gap between how the world is and how...
A reader at the University of the Arts London, Cross talks about his struggle to persuade the univer...
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