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Published  30/11/-0001
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Eileen Cooper – interview: ‘I’d always avoided looking back … but ...

As an exhibition of her previously unseen early works on paper opens at Huxley-Parlour in London, Ei...

Ferdinand Hodler: Drawings – Selections from the Musée Jenisch Vevey

This small but illuminating show is a superb reintroduction to a sadly neglected artist, focusing on...

Erwin Wurm: Trap of the Truth

Houses squashed by bananas, handbags on legs, cartoon-like cars – Erwin Wurm’s sculptures are su...

Dear Earth: Art and Hope in a Time of Crisis

Cornelia Parker, Agnes Denes and Otobong Nkanga are among 15 artists hoping to change our response t...

Ellsworth Kelly at 100

This exhilarating and comprehensive show, celebrating the centennial of Ellsworth Kelly's birth, fea...

Dominic Harris – interview: ‘I’m trying to empower the viewer to ass...

At his latest exhibition, Feeding Consciousness, at the Halcyon Gallery, British artist Dominic Harr...

Emily Kraus: Nest Time

This young painter, fresh out of the Royal College of Art, has already developed her own, very disti...

Flemish Expressionism: Wonderful Memories

An informative survey explores one of the 20th century’s artistic side-streams, which captured qui...

Deep Horizons

Seven curatorial collaborators, including a botanist, a physicist and a river pilot, give their dive...

Duke Riley – interview: ‘As an artist, you’re trying to push boundar...

Duke Riley likes his art to provoke, even if it gets him arrested. He talks about training pigeons t...

David Hockney: Bigger & Closer (Not Smaller & Further Away)

At the new Lightroom, which uses wraparound sight and sound, David Hockney himself guides us through...

David Blandy: Atomic Light

Drawing on family lore, David Blandy’s four provocative films take us from the horrors of the atom...

Dhaka Art Summit 2023

For its sixth iteration, themed ‘বন্যা/Bonna’, or flood, the biennial exhibition explo...

Donatello: Sculpting the Renaissance

This show presents us with a tapestry of Donatello’s life and legacy, the intricacies of his craft...

David Mach – interview: ‘I tried to make myself known as an ideas mong...

Before his show Heavy Metal, now on at Pangolin London, we spoke to David Mach about what fuels his ...

Fruits of the Spirit: Art from the Heart

A virtual exhibition that leaves one visitor feeling more like a student on completing an essay than...

David Altmejd

Canadian sculptor David Altmejd welcomes visitors to his uncanny menagerie, filled with human-hare h...

Forrest Bess: Out of the Blue

An alluring and alarming exhibition gathers the work and words of Forrest Bess, postwar America’s ...

Dreams and Stories: Modern Pre-Raphaelite Visionaries

An exhibition that educates and enchants in equal measure, showcasing works by the ‘third wave’ ...

Elizabeth Price: Underfoot

Elizabeth Price’s explorations of the archives of carpet manufacturers operating in Scotland from ...

Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism

A precisely focused exhibition takes us into the disturbing mind of the eccentric 18th-century artis...

Dindga McCannon – interview: ‘Not having money never stopped me creati...

With a 50-year career as an artist and teacher, Dindga McCannon is widely celebrated in the US’s b...

Edward Lear: Moment to Moment

The Victorian comic poet Edward Lear is revealed as a fascinating artist in this no-nonsense survey ...

Drew Edwards: Now You Can See the Universe

Working with flint, a material second only to diamonds in hardness, Drew Edwards carves sculptures t...

Futuristic feminist propositions read through the work of Wangechi Mutu

The third in a series of four essays that relate visual art and literature; here interlacing the wor...

Frank Bowling and Sculpture

An exhibition and monograph explore Frank Bowling’s near-forgotten sculptures, while discovering t...

Earth: Digging Deep in British Art 1781-2022

From Thomas Gainsborough and John Constable to Richard Long and Yinka Shonibare, what unites these a...

David Batchelor: Colour Is

A long overdue survey covering 40 years of work by David Batchelor, an artist long interested in the...

Emma Talbot: The Age/L’Età, Max Mara Art Prize for Women

Emma Talbot’s winning commission for the Max Mara Prize takes as its jumping-off point Gustav Klim...

Documenta 15

The latest edition of the venerable festival imagines art as a collaborative endeavour that transcen...

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