Langlands & Bell: Ideas of Utopia, Near Heaven, and Absent Artists
Pilvi Takala: Close Watch – Venice Biennale 2022
Goran Trbuljak – interview: ‘It is a kind of painting – a painting that was created by refraining from painting’
Persones Persons: Biennale Gherdëina 8
Henry Moore: The Sixties
Future Shock
Angela Su: Arise: Hong Kong in Venice – Venice Biennale 2022
52 Artists: A Feminist Milestone
Beatrice Merz – interview: ‘The purpose of the project is to contribute to the traditions of Sicily and southern Italy’
Stalin’s Architect: Power and Survival in Moscow – book review
Radio Ballads
Karen Kilimnik: Early Drawings 1976-1998
The Queens’ Jubilee! and Let Me Hold You
Whitstable Biennale
Alberta Whittle: Deep Dive (Pause) Uncoiling Memory – Venice Biennale 2022
Eduardo Kac – interview: ‘There is nothing on paper. All the works are experienced dynamically, with the glowing quality of functional displays’
Anthony Scala and George Renshaw – interview: ‘The piece surprised both of us. I designed it to do a certain thing, but it did something completely different’
Amie Siegel – interview: ‘There’s a lot of information underneath the information’
Ettore Spalletti: Works on paper, editions and books
Gaudí
Venice Biennale 2022 Roundup
Assemble + Schools of Tomorrow: The Place We Imagine
Cornelia Parker
Biennale of Sydney 2022: Rīvus
Deutsche Börse Photography Foundation Prize 2022
Feminine Power: The Divine to the Demonic
Rachael Louise Bailey – interview: ‘It’s good to work with something that stirs you’
Celia Paul: Memory and Desire
Niamh O’Malley: Gather – Venice Biennale 2022
Ann Gallagher – interview: ‘Hélio Oiticica’s work was outstanding in terms of its radicality’
Pedro Cabrita Reis – interview: ‘Through all these years, I’ve always done what I wanted. I intend to stay like that’
Jonathas de Andrade: With the Heart Coming Out of the Mouth – Venice Biennale 2022
Albert Edelfelt and Akseli Gallen-Kallela
Hulda Guzmán – interview: ‘I feel a little bad for the rest of the natural world, that it can't laugh’
AA Bronson – interview: ‘Suddenly, we were artists’
Sheila Hicks: Off Grid
Reframed: The Woman in the Window
Robert Indiana: Sculpture 1958-2018
Abbas Akhavan – interview: ‘I like the propelled intensity towards accomplishing something’
Found Cities, Lost Objects: Women in the City
Raphael
Leeroy New – interview: ‘I am trying to challenge myself to use only reused and recycled materials’
Rachel Jones: Say Cheeeeese
Lucia Pietroiusti – interview: ‘Art can do a million things, from accelerating innovation to enriching public understanding’
Who Are You: Australian Portraiture
Mahesh Baliga – interview: ‘Collected sorrow becomes my work. My work is autobiographical’
Sigurður Guðjónsson: Perpetual Motion – Venice Biennale 2022
Alfredo Jaar
Jacquiline Creswell – interview: ‘When I first sited art in Salisbury Cathedral, I was accused of turning it into a theme park’
Otl Aicher: Design. Type. Thinking. – book review