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Fra Angelico. Annunciation and Expulsion of Adam and Eve from Eden, c1425–26. Tempera and gold on panel, 190.3 x 191.5 cm. Madrid, Museo Nacional del Prado.

Fra Angelico and the Rise of the Florentine Renaissance


Fra Angelico and the Rise of the Florenti...

Michael Landy. Mate, what’s this shit?, 2019. Ink on paper, 35 x 84.1 cm (13 3/4 x 33 1/8 in). © Michael Landy. Courtesy the artist and Thomas Dane Gallery.

Michael Landy – interview: ‘The projects no longer exist, but they are...

ARC: Given your destructive tendencies, it’s intrigui...

Bartolomé Bermejo. Desplà Pietà, 1490. Oil on poplar panel, 175 × 189 cm. Barcelona Cathedral. © Catedral de Barcelona (Photo: Guillem F-H).

Bartolomé Bermejo: Master of the Spanish Renaissance


Bartolomé Bermejo: Master of the Spanish R...

Bertille Bak. Faire le mur, 2008. Video 4:3 stereo, 17 mins, set photography. Production Le Fresnoy – Studio national des arts contemporains. Courtesy Bretelle Bak / Le Fresnoy

Bertille Bak – interview: ‘The world of art is a territory capable of ...

Allie Biswas: Tell me about the works you are presentin...

Documentation of the making of Assisted Self-Portrait of Kristel Asjoe, from Assembly (2013-2014) by Anthony Luvera.

Anthony Luvera – interview: ‘Photography is a way of telling stories a...

Nicola Homer: In the introduction to the journal, you w...

Heike-Karin Föll, my brain, 2010–19. Installation view (detail), Speed. KW Institute for Contemporary Art, Berlin, 2019. Photo: Frank Sperling.

Heike-Karin Föll: Speed


Heike-Karin Föll: Speed

In her first institutional solo show,...

Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 Iwan Baan.

Junya Ishigami’s Serpentine Pavilion


Junya Ishigami’s Serpentine Pavilion

Perhaps t...

France-Lise McGurn. Photo: Tate Photography.

France-Lise McGurn – interview: ‘I think I’ve got a certain aestheti...

Christiana Spens: Can you tell me a little about your i...

Ima-Abasi Okon, Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate.

Ima-Abasi Okon

A celebration of human and machine care and craft in the densely pressed, varnished, “leftover” wood particles, ...

Andermatt Concert Hall. Photo © Roland Halbe.

Andermatt Concert Hall


Andermatt Concert Hall

The Andermatt Concert Hall is a world-cla...

Milton Avery. Two Poets, 1963. Oil on canvas, 127 x 152.4 cm (50 x 60 in). Courtesy Victoria Miro, Venice.

Milton Avery: The Late Portraits


Milton Avery: The Late Portraits

Focusing on works don...

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