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Published  30/11/-0001
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Valentina Karga: Well Beings

Valentina Karga highlights the ecological horrors ravaging our world, but her aim is not to shock or...

With Graphic Intent

With highlights from the Courtauld’s collection of German and Austrian modernist works on paper an...

Vanessa Bell

To accompany its exhibition Vanessa Bell: A World of Form and Colour, organised in partnership with ...

Vanessa da Silva: Roda Viva

Vanessa da Silva's subject matter may be serious – nationality, identity, migration and displaceme...

Vive l’impressionnisme! Masterpieces from Dutch Collections

A new exhibition celebrates the 150th anniversary of the birth of impressionism, specifically musing...

Victor Pasmore | Patrick Heron: VIII São Paulo Biennial, Great Britain 19...

Sixty years after Pasmore and Heron showed together at the eighth São Paulo biennial, this abridged...

Van Gogh: Poets and Lovers

The National Gallery’s miraculous 200th anniversary exhibition strips back the tragic legend to sp...

Vanessa Bell: A Pioneer of Modern Art

This exhibition focuses on the 1910s, the most radical and experimental period of an artist who indi...

Watch! Watch! Watch! Henri Cartier-Bresson

This comprehensive retrospective of the French master of street photography Henri Cartier-Bresson fo...

Vera Molnár: Speak to the Eye

Vera Molnár plays with geometry and form, exploring shape, line and colour, using algorithms and co...

Wayne Eager – interview: ‘In Central Australia, I was mesmerised by th...

A three-month stay in Central Australia with his partner, the artist Marina Strocchi, turned into a ...

William Blake’s Universe

The English eccentric William Blake meets his German peers in a treasure-strewn exhibition that make...

When Forms Come Alive

The Hayward Gallery’s spring exhibition is an effervescent playground of kinetically inclined scul...

Why contemporary art has to fight for survival in Cuenca

On the occasion of the Ecuadorian city’s 16th biennial, we look at how religion, deeply conservati...

William Pope.L: ‘There should be a porosity to the work when you’re bu...

At the opening of Hospital at the South London Gallery, William Pope.L's first major institutional U...

Weaving at Black Mountain College: Anni Albers, Trude Guermonprez and thei...

This book shows how Anni Albers and Trude Guermonprez, teaching at a small arts college for just a f...

Women in Revolt! Art and Activism in the UK 1970-1990

From women’s lib to the Greenham Common camps, this powerful show covers to two decades in which w...

Venice Architecture Biennale 2023: The Laboratory of the Future

This year’s curator, the Scottish-Ghanaian architect Lesley Lokko, has brought new insights and pe...

Visionaries: Making Another Perspective

Contemporary Japanese artists celebrate their country’s traditional ancient crafts using natural p...

William Klein: Yes – book review

William Klein won his first camera in a poker game and went on to become renowned for his skill in f...

Wu Tsang – interview: ‘I’m drawn to stories that have messy politics...

Wu Tsang trains a postcolonial lens on Herman Melville’s 19th-century novel Moby-Dick for her imme...

Vermeer

With three-quarters of Vermeer’s surviving paintings, this luminous exhibition is the largest gath...

Wilhelmina Barns-Graham: Paths to Abstraction

This show gives visitors the chance to follow Scottish artist Wilhelmina Barns-Graham from her early...

Xiyao Wang: A Carnival in the Forest

This colourful lyrical abstraction sweeps the viewer up in its kaleidoscopic eddies and perpetual vi...

Victoria Sambunaris: High and Dry

In panoramic scenes of the Californian desert, Victoria Sambunaris captures the vastness and grandeu...

Vanessa Baird – interview: ‘I don’t think art can rescue anything’

As two shows of her thrilling, carnivalesque drawings open in the UK, Oslo-based artist Vanessa Bair...

William Kentridge

The brutalities of daily life under apartheid in South Africa are exposed in this major exhibition s...

Winslow Homer: Force of Nature

Despite obvious sympathy for the emancipated black slaves he painted in America’s deep south, the ...

Vivienne Binns: On and Through the Surface

This comprehensive and fascinating show includes 60 years of eclectic and experimental work by Vivie...

What can we expect from Oslo’s mega new National Museum?

Oslo’s new National Museum opened in June, its 6,500 objects arranged to tell a refreshingly inclu...

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