Ettore Spalletti: Works on paper, editions and books
Britta Marakatt-Labba: Under the Vast Sky
Per Kirkeby: Geological Messages – Paintings from 1965-2015
Lawrence Calver: Under the Sun
Radio Ballads
Robert Indiana: Sculpture 1958-2018
Julian Perry – interview: ‘It’s about wanting to create spaces that the imagination can move around in’
Ann Gallagher – interview: ‘Hélio Oiticica’s work was outstanding in terms of its radicality’
Libby Heaney – interview: ‘The point of the work is to destabilise you’
Raphael
Lucia Pietroiusti – interview: ‘Art can do a million things, from accelerating innovation to enriching public understanding’
Joan Mitchell
Whistler’s Woman in White: Joanna Hiffernan
Langlands & Bell: Ideas of Utopia, Near Heaven, and Absent Artists
Beatrice Merz – interview: ‘The purpose of the project is to contribute to the traditions of Sicily and southern Italy’
Ingrid Pollard – interview: ‘I like to concentrate on that vast history of the world as it has been photographed since 1835’
Mahesh Baliga – interview: ‘Collected sorrow becomes my work. My work is autobiographical’
Garmenting: Costume as Contemporary Art
Hassan Khan Infusing Objects with Texts – an Essay
Leeroy New – interview: ‘I am trying to challenge myself to use only reused and recycled materials’
Deutsche Börse Photography Foundation Prize 2022
Hulda Guzmán – interview: ‘I feel a little bad for the rest of the natural world, that it can't laugh’
Reframed: The Woman in the Window
Ming Smith – interview: ‘Photography’s the only thing I know’
Rachel Jones: Say Cheeeeese
Albert Edelfelt and Akseli Gallen-Kallela
Sophie Calle and her guest Jean-Paul Demoule: The Ghosts of Orsay
Postwar Modern: New Art in Britain 1945-1965
Emilio Vedova: Documenta 7
Jasmina Cibic – interview: ‘I’m drawn towards the political psychology and unconsciousness of states’
Jonathas de Andrade: With the Heart Coming Out of the Mouth – Venice Biennale 2022
A State of Matter: Modern and Contemporary Glass Sculpture
Stalin’s Architect: Power and Survival in Moscow – book review
Amie Siegel – interview: ‘There’s a lot of information underneath the information’
Ali Cherri – interview: ‘You cannot un-write violence. I am interested in these hidden wounds’
Things Will Continue to Change …
Assemble + Schools of Tomorrow: The Place We Imagine
A Century of the Artist’s Studio: 1920–2020
Tomás Saraceno: Particular Matter(s)
Celia Paul: Memory and Desire
Sigurður Guðjónsson: Perpetual Motion – Venice Biennale 2022
Charles Ray: Figure Ground
Karen Kilimnik: Early Drawings 1976-1998
Rana Begum: Dappled Light
Mark Francis – video interview: ‘l like to use a grid to convey order and chaos. Both things can reside on the same plane’
Pedro Cabrita Reis – interview: ‘Through all these years, I’ve always done what I wanted. I intend to stay like that’
Eduardo Kac – interview: ‘There is nothing on paper. All the works are experienced dynamically, with the glowing quality of functional displays’
Goran Trbuljak – interview: ‘It is a kind of painting – a painting that was created by refraining from painting’
Henry Moore: The Sixties
Sheila Hicks: Off Grid
Click on the pictures below to enlarge
Warhol Screen Tests Undoubtedly, Warhol’s most successful essays in the film medium, ‘Screen Tests’, represent an elegiac exposure of human vulnerability, albeit camped by Edie Sedgwick, and Dennis Hopper. Lou Reed seems genuinely flummoxed however, a victim if ever, of being famous for five minutes
Waldemar Meets Gerhard Gerhard Richter's recent New York MOMA retrospective was profoundly moving, yet he remains an artist of whom British Gallery directors have fought shy for many years
Joseph Beuys Lives At this time, it is salutary to look back again at the volumes of Studio International and to be reminded of the loss of this artist. Reproduced here is the cover of the March 1986 issue (vol 199, no. 1012), featuring a photograph by Nigel Maudsley. Richard Demarco's current article, a review/reminiscence of Beuys, can also be found on our home page. From his obituary, we re-quote the memory of his first encounter with Beuys:
Gerhard Richter: Paintings from private collections – book review Reviewing the catalogue is to appreciate a valuable tool to understanding the more salient tendencies of Richter
Morandi's Legacy: Influences on British Art – book review This publication is essentially also the catalogue to the exhibition of the same name, which was first shown at the Abbot Hall Art Gallery in Kendal (12 January-25 March 2006) and subsequently at the Estorick Collection, 39a Canonbury Square, London. Professor Paul Coldwell both curated the exhibition and created the catalogue, with support from the Arts and Humanities Research Council.