Flora Yukhnovich – interview: ‘I’m always looking at history through a kaleidoscope of contemporary references’
Carlos Moreno – interview: ‘The 15-minute city is not a way of declaring a war against cars’
Raven Halfmoon – interview: ‘It took everything in me to make these sculptures. Literal blood, sweat and tears went into them’
Awaken, Metamagical Hands
Goshka Macuga – interview: ‘I wanted to invite viewers to consider the thin veil that separates past horrors from current realities’
Graffiti redux
Dialogue with Joseph Beuys
Edinburgh Art Festival
Claudia Martínez Garay – interview: ‘I’m interested in the encounter, the meeting place between brown bodies and white bodies’
Click on the pictures below to enlarge
Warhol Screen Tests Undoubtedly, Warhol’s most successful essays in the film medium, ‘Screen Tests’, represent an elegiac exposure of human vulnerability, albeit camped by Edie Sedgwick, and Dennis Hopper. Lou Reed seems genuinely flummoxed however, a victim if ever, of being famous for five minutes
Waldemar Meets Gerhard Gerhard Richter's recent New York MOMA retrospective was profoundly moving, yet he remains an artist of whom British Gallery directors have fought shy for many years
Joseph Beuys Lives At this time, it is salutary to look back again at the volumes of Studio International and to be reminded of the loss of this artist. Reproduced here is the cover of the March 1986 issue (vol 199, no. 1012), featuring a photograph by Nigel Maudsley. Richard Demarco's current article, a review/reminiscence of Beuys, can also be found on our home page. From his obituary, we re-quote the memory of his first encounter with Beuys:
Gerhard Richter: Paintings from private collections – book review Reviewing the catalogue is to appreciate a valuable tool to understanding the more salient tendencies of Richter
Morandi's Legacy: Influences on British Art – book review This publication is essentially also the catalogue to the exhibition of the same name, which was first shown at the Abbot Hall Art Gallery in Kendal (12 January-25 March 2006) and subsequently at the Estorick Collection, 39a Canonbury Square, London. Professor Paul Coldwell both curated the exhibition and created the catalogue, with support from the Arts and Humanities Research Council.