Emma Talbot – interview: ‘I imagine the experience of life as an epic story – the one we all have’
Jenny Saville: The Anatomy of Painting
Liverpool Biennial 2025: Bedrock
It Takes a Village
Mikhail Karikis – interview: ‘What is the soundscape of the forthcoming future? The women’s response was gasping’
Berlin. Cosmopolitan: The Vanished World of Felicie and Carl Bernstein
Mike Nelson: Humpty Dumpty, a transient history of Mardin earthworks low rise
Margaret Salmon: Assembly
Slavs and Tatars: The Contest of the Fruits
Click on the pictures below to enlarge
Warhol Screen Tests Undoubtedly, Warhol’s most successful essays in the film medium, ‘Screen Tests’, represent an elegiac exposure of human vulnerability, albeit camped by Edie Sedgwick, and Dennis Hopper. Lou Reed seems genuinely flummoxed however, a victim if ever, of being famous for five minutes
Waldemar Meets Gerhard Gerhard Richter's recent New York MOMA retrospective was profoundly moving, yet he remains an artist of whom British Gallery directors have fought shy for many years
Joseph Beuys Lives At this time, it is salutary to look back again at the volumes of Studio International and to be reminded of the loss of this artist. Reproduced here is the cover of the March 1986 issue (vol 199, no. 1012), featuring a photograph by Nigel Maudsley. Richard Demarco's current article, a review/reminiscence of Beuys, can also be found on our home page. From his obituary, we re-quote the memory of his first encounter with Beuys:
Gerhard Richter: Paintings from private collections – book review Reviewing the catalogue is to appreciate a valuable tool to understanding the more salient tendencies of Richter
Morandi's Legacy: Influences on British Art – book review This publication is essentially also the catalogue to the exhibition of the same name, which was first shown at the Abbot Hall Art Gallery in Kendal (12 January-25 March 2006) and subsequently at the Estorick Collection, 39a Canonbury Square, London. Professor Paul Coldwell both curated the exhibition and created the catalogue, with support from the Arts and Humanities Research Council.