Published  01/11/1966

Studio International – November 1966

Studio International – November 1966

Volume 172 Number 883


222  Comment: Censorship, obscenity and context/Jasia Reichardt

224  Symbolism and child art/Anthony Carter

226  What kind of art education?

229  L. S. Lowry: an unclassifiable genius/T. G. Rosenthal

236  Alfred Wallis: the poetry of ‘what used to be’/Edwin Mullins

244  Scottie Wilson: the visionary experience/Mervyn Levy

248  A group of primitives and naïfs/Bryan Pearce

252  Starting from Bonnard. London commentary/Edward Lucie-Smith

259  In homage to Rouault/Josef Herman

260  Studying form. London commentary/David Thomson

264  On exhibition: a selection from current and forthcoming exhibitions

266  Six Swedish painters. Commentary/Olle Granath

270  Marketing techniques in the promotion of art. New York commentary/Dore Ashton

274  Art prices current. Growing interest in German painting/George Savage

277  New and recent art books

Editor/Peter Townsend
Advertising & Publicity Manager/Benson Zonena
Art Editor/Michael Young
Contributing Editors/Dore Ashton (New York),
Jean Clay (Paris), Frank Whitford (London)

Editorial Advisory Committee/J. P. Hodin (International relations),
Alan Bowness, Andrew Forge, David Thompson

International Advisory Panel:
Austria: Dr Werner Hofmann
Argentina: Jorge Romero Brest
Belgium: Michel Seuphor
Brazil: Mario Pedrosa
France: Jacques Lassaigne
Germany: Dr Werner Schmalenbach
Holland: Prof. A. M. Hammacher
Israel: Haim Gamzu
Italy: Prof. G. C. Argan
Japan: Shuzo Takiguchi
Scandinavia: Reidar Revold
Spain: Alejandro Cirici-Pellicer
Switzerland: Dr Carola Giedeon-Welcker
U.S.A.: Thomas Messer, J. J. Sweeney
Yugoslavia: Aleksa Celebonovic

Studio International, November 1966, Volume 172 Number 883. Cover image: L. S. Lowry. Coming from the Mill, 1930. Oil on canvas, 20 x 16 in. City of Salford Art Gallery.

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