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Published  01/03/1972
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Studio International – March 1972

Studio International – March 1972

Volume 182 Number 942

Contents

90  El Lissitzky’s writings on art/Alan C. Birnholz

92  Correspondence

95  News and notes

95  No, it is not on/Stuart Brisley

97  Viking Eggeling/Hans Richter

100  Suprematism: an unpublished manuscript by Malevich/notes by Simon Pugh

102  Towards a minimal art II/Simon Pugh

106  Language in and about the work of art/Stephen Bann

112  Choice states: Keith Milow in conversation with Anne Seymour

116  UK commentary/Richard Cork

116  New trends among young Israeli artists/Yona Fischer

126  US commentary: realism again?/Dore Ashton

131  Supplement: new and recent art books/Reviews by Ian Breakwell, Anita Brookner, Tore Hakansson, Andrew Higgens, Michael Kitson, Malcolm MacEwan, Liam de Paor, Barbara Reise, Conal Shields, Derek Southall

Editor/Peter Townsend
Assistant Editor/Tim Hilton
Art Director/Malcolm Lauder
Advertisement Manager/Thelma Watt
Contributing Editors/Dore Ashton (New York),
Jean Clay (Paris), Frank Whitford, Barbara Reise

Editorial Advisory Committee:
J.P. Hodin (International relations)
Alan Bowness, Andrew Forge, David Thompson

International Advisory Panel:
Argentina: Jorge Romero Brest
Austria: Georg Eisler
Belgium: Michael Seuphor
Brazil: Mario Pedrosa
Canada: David Silcox
France: Jacques Lassaigne
Germany: Dr Werner Schmalenbach
Holland: Prof. A. M. Hammacher
Israel: Haim Gamzu
Italy: Prof. G. C. Argan
Japan: Shuzo Takiguchi
Scandinavia: Leif Ostby
Spain: Alejandro Cirici-Pellicer
Switzerland: Dr Carola Giedion-Welcker
U.S.A.: Thomas M. Messer, J.J. Sweeney
Yugoslavia: Aleksa Celebonovic



Studio International, 1972, March 1972, Volume 183 Number 942. Cover specially designed for this issue by Bernard Cohen. It is a programme for a painting of the kind that he has made for himself since 1966. His next show is at the Hayward, 6 April-14 May.

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The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

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