Studio International – April 1968

Volume 175 Number 899

Contents

168  Anti-humanism in art/Alain Robbe-Grillet

170  Reminiscences of The Studio/Horace Brodzky, Kenneth Clark, Rathbone Holme, Victor Pasmore, Phoebe Pool, Herbert Read, John Rothenstein, John Boulton Smith

173  Correspondence/R. Hamer, Adrian Rifkin, John Ross

174  News

175  Dilemmas: The Studio in 1893-4/D. J. Gordon

184  Technology and art schools/Lawrence Alloway

191  Cross currents/Andrew Forge

192  An interview with Denise René/Jean Clay

196  Modern art in Norway/John Boulton Smith

198  London commentary: six Polish painters/Cyril Barrett

199  London commentary/David Thompson

201  New York commentary/Dore Ashton

203  Adja Yunkers: the eye’s edge/Scott Burton

204  The Belfast tragedy/Douglas Hall

206  On exhibition: a selection from current and forthcoming exhibitions

213  Supplement: Studiographic – a new supplement on graphic design/with contributions by Hilary Evans, Ernst Hoch, John Miles, David Thomas

Editor/Peter Townsend
Assistant Editor/Charles Harrison
Advertising & Publicity Manager/Benson Zonena
Art Editor/Michael Young

Contributing Editors/Dore Ashton (New York),
Jean Clay (Paris), Frank Whitford (Berlin)

Editorial Advisory Committee/J. P. Hodin (International relations),
Alan Bowness, Andrew Forge, David Thompson

International Advisory Panel:
Argentina: Jorge Romero Brest
Austria: Dr Werner Hofmann
Belgium: Michel Seuphor
Brazil: Mario Pedrosa
France: Jacques Lassaigne
Germany: Dr Werner Schmalenbach
Holland: Prof. A. M. Hammacher
Israel: Haim Gamzu
Italy: Prof. G. C. Argan
Japan: Shuzo Takiguchi
Scandinavia: Reidar Revold
Spain: Alejandro Cirici-Pellicer
Switzerland: Dr Carola Giedeon -Welcker
U.S.A.: Thomas Messer, J. J. Sweeney
Yugoslavia: Aleksa Celebonovic

Studio International, April 1968, Volume 175 Number 899. Cover image: The cover by Aubrey Beardsley (1872-1898) was the original design for the first issue of The Studio. In the final version, the figure of the faun was expurgated and the signature omitted.