Studio International – April 1967

Volume 173 Number 888

Contents

166  Comment: Design as an attitude/Jasia Reichardt

168  ‘Puce monster’/ Margaret Tarratt

170  A Vorticist poetry with visual implications/Bernard Rozran

173  Futurism and the development of Vorticism/William Lipke

180  Abstract painting in Britain in the early 1930s/Charles Harrison

192  Francis Bacon/Robert Melville

196  London commentary/Edward Lucie-Smith

198  An Expressionist in Africa/Neville Dubow

200  Light/Sound workshop/Clive Latimer

202  The paintings of William Turnbull/Frank Whitford

205  The structures of Malcolm Hughes/Norbert Lynton

208  New York commentary/Dore Ashton

212  On exhibition: a selection from current and forthcoming exhibitions

218  Art prices current/George Savage

Editor/Peter Townsend
Advertising & Publicity Manager/Benson Zonena
Art Editor/Michael Young
Contributing Editors/Dore Ashton (New York),
Jean Clay (Paris), Frank Whitford (London)

Editorial Advisory Committee/J. P. Hodin (International relations),
Alan Bowness, Andrew Forge, David Thompson

International Advisory Panel:
Austria: Dr Werner Hofmann
Argentina: Jorge Romero Brest
Belgium: Michel Seuphor
Brazil: Mario Pedrosa
France: Jacques Lassaigne
Germany: Dr Werner Schmalenbach
Holland: Prof. A. M. Hammacher
Israel: Haim Gamzu
Italy: Prof. G. C. Argan
Japan: Shuzo Takiguchi
Scandinavia: Reidar Revold
Spain: Alejandro Cirici-Pellicer
Switzerland: Dr Carola Giedeon-Welcker
U.S.A.: Thomas Messer, J. J. Sweeney
Yugoslavia: Aleksa Celebonovic

Studio International, April 1967, Volume 173 Number 888. Cover image: Cover specially designed for this issue by Victor Pasmore. Born in 1908, Pasmore turned to abstraction 1947 and has emerged as one of the most influential British artists on the international scene.