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Jordan Baseman on turning mastectomy tattoos into the subject of a cartoon – interview
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Moynihan Train Hall: splendour for the masses
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Christine and Jennifer Binnie – interview
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Sarah Wood – interview: ‘At the moment we all want to gather around stories, so I think art is going to be quite important in the future and I hope we value it’
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Young Poland: The Polish Arts and Crafts Movement, 1890-1918 – book review
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Jim Dine – interview: ‘I never stop looking. I never stop examining. I never stop inventing from what I see’
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Kandinsky | Guggenheim Bilbao
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Shaping the World: Sculpture from Prehistory to Now – book review
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Genesis, a floating church, by Denizen Works
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Abigail DeVille: Light of Freedom
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The Film London Jarman Award 2020
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Cybernetic Serendipity: The Computer and the Arts
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Brian Dawn Chalkley: The Untold Depth of Savagery
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Katharina Grosse – interview: ‘My eyes are my most important tools’
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The 20 best art books of 2020
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Emma Nicolson of Inverleith House: ‘Art institutions can highlight the devastating effects humans have had on the planet’
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Arctic: Culture and Climate
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Trulee Hall – interview: ‘When I say “whore”, I wouldn’t say that it’s a bad word’
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Haegue Yang: Strange Attractors
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Trinity Buoy Wharf Drawing Prize 2020
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Robert Smithson: Hypothetical Islands
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Exercising Freedom: Encounters with Art, Artists and Communities
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Art by Remote: Art Basel Miami Beach
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Monica von Schmalensee – interview: ‘Architecture is an instrument for creating a better quality of life’
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Susie MacMurray – interview: ‘A feather is never just a feather, and a fishhook is never just a fishhook’
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Sin
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Lucy McKenzie: Prime Suspect
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Kai Althoff Goes With Bernard Leach
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Emily Jacir – interview: ‘I wanted the locals to show me what was important for them, what they thought I should see, what they wanted to talk about’
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Thao Nguyen Phan: Becoming Alluvium
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London’s Arts Labs and the 60s Avant-Garde
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Dutch Design Week
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Kehinde Wiley: Ship of Fools
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Alfred Wallis Rediscovered
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Eleanor Bartlett – interview: ‘When you see a great lump of tar, it’s like looking at a fundamental building block of the universe’
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Michael Armitage: Paradise Edict
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Bruce Nauman
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Toulouse-Lautrec and the Masters of Montmartre
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Ali Kazim – interview: ‘When I picked up a pottery shard and it had some imprint of the potter, it was a sort of time travelling key for me’
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Bochner Boetti Fontana
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Arik Levy and Zoé Ouvrier – interview: ‘We definitely influence each other in many ways – some we know about and many we don’t’
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Nicole Eisenman: Where I Was, It Shall Be
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Michael Clark: Cosmic Dancer
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The Studio, Vol 1, No 1, April 1893
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Ann Veronica Janssens — interview: ‘I try to make visible the invisible, to work with the limits’
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Rashid Johnson: Waves
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María Berrío: Flowered Songs and Broken Currents
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Royal Academy of Arts Summer Exhibition 2020
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Artemisia
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Tim Clark – interview: ‘This set of Hokusai’s drawings is a really important piece of the jigsaw’
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Fabienne Verdier: Vortex
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Billie Zangewa – interview: ‘I realised that I had chosen to embody the most disempowered human form’
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1-54 Contemporary African Art Fair
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Christina Quarles – interview: ‘These works are holding onto that slow-fast contrast of a physically still world and this mental chaos’
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Not Without My Ghosts: The Artist as Medium
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Everyday Heroes
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Huma Bhabha – interview: ‘The more complicated and layered the work is, the better for me’
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Stuart Whipps: If Wishes Were Thrushes, Beggars Would Eat Birds
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Michael Schmidt Retrospective: Photographs 1965-2014
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Nancy Holt: Points of View
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Cecily Brown
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Krištof Kintera – interview: ‘Humour helps us to survive’
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Dana Schutz: Shadow of a Cloud Moving Slowly
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Alexandre da Cunha – interview: ‘All my work is about combining things and making them have a conversation, or sometimes an argument’
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Danh Vo: Chicxulub
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Matisse: The Books – book review
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Ayako Suwa: Taste of Reminiscence, Delicacies from Nature
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English Filth: Cat Roissetter
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Pamela Phatsimo Sunstrum – interview: ‘I needed to put my own body on the line if I was going to be asking a figure to carry a story or particular politics’
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John Byrne at 80
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Toby Ziegler: The sudden longing to collapse 30 years of distance
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Craig Gough – interview: ‘Improvisation in painting is a lot like jazz’
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Héctor Zamora: Lattice Detour (2020)
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Jacqueline Poncelet – interview: ‘Uncertainty is all right; it gives us an opportunity to look again and think again’
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Emma Critchley – interview: ‘Being underwater where everything completely shifts interested me’
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En plein air: art in the time of pandemic
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Alberta Whittle – interview: ‘No one can find Barbados on a map, whereas everyone can find the UK. That level of inattention galvanises so much of my work ’
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Dress Code: Are You Playing Fashion?
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Christo & Jeanne-Claude’s London Mastaba Rises Again – and Again and Again
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Heather Phillipson – interview: ‘I wanted to respond to the loaded political position of Trafalgar Square’