Leeroy New – interview: ‘I am trying to challenge myself to use only reused and recycled materials’
Langlands & Bell: Ideas of Utopia, Near Heaven, and Absent Artists
Mahesh Baliga – interview: ‘Collected sorrow becomes my work. My work is autobiographical’
Hulda Guzmán – interview: ‘I feel a little bad for the rest of the natural world, that it can't laugh’
Sigurður Guðjónsson: Perpetual Motion – Venice Biennale 2022
Ming Smith – interview: ‘Photography’s the only thing I know’
Pedro Cabrita Reis – interview: ‘Through all these years, I’ve always done what I wanted. I intend to stay like that’
Ali Cherri – interview: ‘You cannot un-write violence. I am interested in these hidden wounds’
Ingrid Pollard – interview: ‘I like to concentrate on that vast history of the world as it has been photographed since 1835’
Mark Francis – video interview: ‘l like to use a grid to convey order and chaos. Both things can reside on the same plane’
Jasia Reichardt – video interview: ‘It’s not really labour … It’s like making a work of art’
Ann Gallagher – interview: ‘Hélio Oiticica’s work was outstanding in terms of its radicality’
Beatrice Merz – interview: ‘The purpose of the project is to contribute to the traditions of Sicily and southern Italy’
Stalin’s Architect: Power and Survival in Moscow – book review
Jasmina Cibic – interview: ‘I’m drawn towards the political psychology and unconsciousness of states’
Goran Trbuljak – interview: ‘It is a kind of painting – a painting that was created by refraining from painting’
Jonathas de Andrade: With the Heart Coming Out of the Mouth – Venice Biennale 2022
Julian Perry – interview: ‘It’s about wanting to create spaces that the imagination can move around in’
Sophie Calle and her guest Jean-Paul Demoule: The Ghosts of Orsay
Libby Heaney – interview: ‘The point of the work is to destabilise you’