Kenneth Armitage died this January, aged 85. Early in his career
he was tidily grouped, misleadingly, with Lynn Chadwick and the
painter John Bratby, as indicative of a new direction for post-war
British art. However, his invitation to join the British submission
at the Venice Biennale in 1952 (by now with Gimpel Fils) enabled
him firmly to establish his own identity as a sculptor. In the 1958
Biennale he was awarded the prize as best international sculptor
under 45. In 1956 Armitage won the competition for a war memorial
at Krefeld, Germany. In 1960 he designed a brilliant sun figure
for the central façade of the Chateau Mouton Rothschild.
In 1959 he had a retrospective exhibition at the Whitechapel Gallery
in London, and this was followed by work in the New Images of Man
exhibition in 1960 at the Museum of Modern Art, New York. He was
also exhibited at Kassel Documenta in 1960. Armitages work
did not conceal a provocative sense of humour, but he was institutionally
well respected. He sustained a long career through the swings of
fashion admirably, and as late as 1986 he was commissioned to provide
a new sculpture for the British Embassy in Brasilia. Numerous students
recall his successful and popular tenure of the headship of sculpture
at Bath Academy of Art. In the past decade renewed interest developed
in his work, and he came to symbolise the best of 1950s innovation
in sculpture.
Armitage combined gusto and gravitas, a sculptor for all seasons.