Bright pinks, luminous greens, Ikea shelving, a soundtrack of Flashdance, Fergie and Oliver!, Matthew Darbyshire’s largest solo show to date is a reflection of contemporary society, its consumerist obsessions and the rise of cultural homogeneity. Comprising 10 large-scale environments from over the past decade, alongside two newly commissioned multicoloured polycarbonate sculptures in the grand entrance hall of the Manchester Art Gallery, the works in the exhibition show Darbyshire’s dedication to the processes of making – and faking – it, with materials ranging from felt to wood to Perspex.
The title for this show is taken from a landmark 1949 exhibition at the Detroit Institute of Arts, which collected the best of modern “design for living” in the context of the rapidly changing society of post-second world war America. Darbyshire takes this concept as a starting point and updates it for British society today, bringing together art, sculpture, design and architecture, and questioning the political and economic agendas that inform our contemporary taste. Particularly interesting is his commission, IP (2013), for a shopping mall in Utrecht, where each of the nine constituent parts reflects an element of the past, present and future, echoing the tension in which the mall currently sits, as its use migrates from shopping venue to place of entertainment.
Darbyshire, who, despite appearances, doesn’t see his work as part of the pop art wave, citing Tony Cragg as more of an influence, hopes that his installations will transcend time, gaining in intrigue as they distance themselves from their roots. He seeks to uncover the spirit within the inanimate object, exploring the potential of computer generation and 3D-printing, raising questions about the need for the artist’s hand. For now, at least, he continues to advocate its presence.
Matthew Darbyshire: An Exhibition for Modern Living
Manchester Art Gallery
25 September 2015 – 10 January 2016
Interview by ANNA McNAY
Filmed by MARTIN KENNEDY
Click on the pictures below to enlarge
Carmen Neely – interview: ‘I'm interested in the process of what is lost and gained in translation’
The artist talks about the role of collecting, (re)creating characters and identities, translation, and the seriousness of play in her practice
Anish Kapoor: Flashback
Kapoor, who represented Britain at the Venice Biennale in 1990, won the Turner Prize in 1991, and was the first living artist to be given the entire Royal Academy main gallery space for his 2009 show, attracting a record 260,000 visitors, is renowned for his use of vivid primary colours in pigment form: “Colour is stuff.
Grayson Perry: Visual Dialogues
Perfectly turned out in a pink and green satin dress, with matching hair ribbons and boldly rouged cheeks, Turner Prize winner Grayson Perry climbs the stairs in the airy atrium of Manchester Art Gallery to deliver a short speech celebrating the gallery
British Art Show 7: In the Days of the Comet
Time is a man-made concept; as such it can be mapped, manipulated, reflected on. While much contemporary art uses the medium of video to explore this idea, Christian Marclay’s The Clock (2010), featured in British Art Show 7, exemplifies it by “making” time from the intersection between time’s measurement and daily life
Jean Baudrillard: Vraisemblablement Mort?
Jean Baudrillard, the renowned French philosopher, passed away in March 2007. Baudrillard was something of a maverick but in time came to be revered on both sides of the Atlantic.