Often described as an “artist’s artist”, Carl Plackman (1943-2004) was ambitious and full of ideas. When asked at the end of an interview in 1986 what he would like as his epitaph, he replied: “I just want to make a good piece of sculpture. I still think I haven’t done it. The trouble is trying to say what that could be – it’s very difficult …” Plackman rarely talked about his work and kept his ideas private. He has been hailed as the “godfather of British conceptual art” and Alison Wilding speaks of Plackman’s work as being her first encounter with “installation”.
This solo exhibition at Pangolin includes a range of Plackman’s drawings alongside a number of key sculptures, in particular Bachelor of Arts (1977), which has never been shown before.
Plackman was a generous teacher and many of his students have gone on to become major names in British contemporary art, including Tony Cragg, Damien Hirst, Liam Gillick and Alison Wilding. Studio International spoke to Mark Dunhill, dean at Central Saint Martins, University of the Arts, London, and an artist in his own right, who was taught by Plackman at the Royal College of Art in the 70s.
Carl Plackman: Obscure Territories
9 September – 17 October 2015
Interview by ANNA McNAY
Filmed by MARTIN KENNEDY
Click on the pictures below to enlarge
Susie MacMurray – interview: ‘A feather is never just a feather, and a fishhook is never just a fishhook’
Susie MacMurray talks about how she uses art to raise questions rather than make statements, and about her love of magic, alchemy and fairytales
Bryan Kneale: ‘I always liked the idea of being totally in charge of the shape’
From shrapnel from a second world war German bomb to early editions of Studio International, Royal Academician Bryan Kneale talks about the inspiration behind his work and his latest show covering half a century of output