David Remfry – interview: ‘It’s unprecedented that there were no arg...
At 80 years old, David Remfry was just coming to terms with the opportunity to co-ordinate the Royal...
Eileen Cooper – interview: ‘I’d always avoided looking back … but ...
As an exhibition of her previously unseen early works on paper opens at Huxley-Parlour in London, Ei...
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Beatriz Milhazes – interview: ‘My big ambition is always to try to do ...
On the occasion of a major survey of her work at Margate’s Turner Contemporary, Brazilian artist B...
Risham Syed – interview: ‘It’s an inward-looking invitation to conte...
Syed talks about Each Tiny Drop, her intervention in a city park, as part of Manchester Internationa...
Ryan Gander – interview: ‘The stuff outside in the world is way better...
Ryan Gander explains why he is giving away free coins at the Manchester International Festival and h...
Tino Sehgal – interview: ‘It’s an invitation to think about skill an...
Tina Sehgal, the enigmatic and publicity-averse artist, discusses his new work for Manchester Intern...
George Gittoes – interview: ‘The spirit of art cannot be suppressed by...
Australian artist George Gittoes has been visiting war zones for 50 years and he and his wife travel...
Tom Wood – interview: ‘I started doing portraits of these kids hanging...
For 50 years, Tom Wood has been out on the streets taking intimate, informal, often quirky, photogra...
Paul Smith – interview: ‘I'd often look up and ask the boss, “Mr Pic...
To mark the 50th anniversary of Picasso’s death, the Musée National Picasso, Paris, commissioned ...
Dominic Harris – interview: ‘I’m trying to empower the viewer to ass...
At his latest exhibition, Feeding Consciousness, at the Halcyon Gallery, British artist Dominic Harr...
Amy Sillman – interview: ‘We’re in this sticky place between despair...
On the occasion of her latest exhibition at Thomas Dane’s Naples gallery, the ever-probing Amy Sil...
Maki Na Kamura – interview: ‘People in the presence of my work can pro...
Maki Na Kamura, the Berlin-based Japanese painter, touches on her interest in patterns of structures...
Christina Seilern – interview: ‘Doing a project is like writing a book...
Having set up Studio Seilern Architects in 2006, Christina Seilern has been quietly building a solid...
Tiffanie Delune – interview: ‘I want people to feel like they’re wal...
The artist talks about her time on a residency in Ghana, culminating in her current solo show there,...
Mike Parr – interview: ‘I was a performance artist with one arm. The p...
One of Australia’s most influential artists, Mike Parr talks about his extreme performance art, ho...
Duke Riley – interview: ‘As an artist, you’re trying to push boundar...
Duke Riley likes his art to provoke, even if it gets him arrested. He talks about training pigeons t...
Adelaide Cioni – interview: ‘My work is about the origins of drawing a...
Adelaide Cioni talks about her interest in patterns, and how these relate to something deep inside u...
Péju Alatise – interview: ‘My relationship with Nigeria is like a bat...
Having recently moved to the UK from Nigeria, Peju Alatise talks about growing up in Lagos, her camp...
Shanti Panchal – interview: ‘It’s a meditative process, a layering o...
Shanti Panchal discusses the enduring power of painting, the evolution of his watercolour technique,...
Marcelle Hanselaar – interview: ‘To do nothing, to not at least take t...
Marcelle Hanselaar, 20 of whose works are now on show at the Fitzwilliam Museum, talks about the pow...
Wu Tsang – interview: ‘I’m drawn to stories that have messy politics...
Wu Tsang trains a postcolonial lens on Herman Melville’s 19th-century novel Moby-Dick for her imme...
Ingela Ihrman – interview: ‘I need to find my own reasons to do things...
Swedish artist Ingela Ihrman’s subject matter includes invasive weeds, intestinal flora and obese ...
Xiyao Wang: A Carnival in the Forest
This colourful lyrical abstraction sweeps the viewer up in its kaleidoscopic eddies and perpetual vi...
Andrew Black – interview: ‘The film-making process for me is a researc...
Andrew Black discusses his film documenting the social and economic history of the Washburn Valley i...
Scott Covert – interview: ‘For me, each brushstroke is a lifetime’
In a long overdue first European exhibition, at Studio Voltaire, London, American artist Scott Cover...
Brian Vincent and Heather Spore – interview: ‘Edward Brezinski really...
On the occasion of their first feature documentary, the film-makers Brian Vincent and Heather Spore ...
Leslie Jones – interview: ‘I wanted to recontextualise the material, n...
Leslie Jones, the curator behind the Los Angeles Museum of Art’s much-anticipated exhibition of ea...
Rebecca Fortnum – interview: ‘I’m trying to bring these women back t...
As Rebecca Fortnum was at the Henry Moore Institute, installing her exhibition of paintings and draw...
Ceyda Oskay – interview: ‘I often dislocate and repackage, reworking a...
Oskay talks about her residency at Cork Printmakers in Ireland as part of a project that supports ar...
Kyriaki Goni – interview: ‘For me, technology is an existential discus...
Greek artist Kyriaki Goni discusses the interplay of technology with humans and nature that underpin...
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