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Souls Grown Deep Like the Rivers: Black Artists from the American South

Scrap metal, old clothing, paint tins, driftwood, furniture and animal bones are rendered into works...

Flemish Expressionism: Wonderful Memories

An informative survey explores one of the 20th century’s artistic side-streams, which captured qui...

Tiffanie Delune – interview: ‘I want people to feel like they’re wal...

The artist talks about her time on a residency in Ghana, culminating in her current solo show there,...

Mike Parr – interview: ‘I was a performance artist with one arm. The p...

One of Australia’s most influential artists, Mike Parr talks about his extreme performance art, ho...

Bohemia: History of an Idea 1950-2000

A globe-trotting exhibition takes us in search of modern Bohemia, from the Parisian brasserie to the...

Julian Stair: Art, Death and the Afterlife

In response to lives lost in the Covid pandemic, Stair’s new work includes monumental figural form...

The Accursed Share

Nine artists, including Lubaina Himid, Hana Miletić and Moyra Davey, consider the fraught subject o...

If These Apples Should Fall: Cézanne and the Present – book review

The chapters in TJ Clark’s book on the French post-impressionist began life as lectures the art hi...

Deep Horizons

Seven curatorial collaborators, including a botanist, a physicist and a river pilot, give their dive...

Anthony Caro: The Inspiration of Architecture

The grand Georgian home of the neo-classical architect John Soane provides the background for Caro...

William Klein: Yes – book review

William Klein won his first camera in a poker game and went on to become renowned for his skill in f...

Liz Magor: The Rise and the Fall

Items that are at once familiar yet strange populate Magor’s baffling sculptures, leading viewers ...

Duke Riley – interview: ‘As an artist, you’re trying to push boundar...

Duke Riley likes his art to provoke, even if it gets him arrested. He talks about training pigeons t...

1905: Fritz Bleyl and the Beginning of the Brücke

Fritz Bleyl was a founding member of the Brücke group, which, though shortlived, helped to establis...

Bridget Riley Drawings: From the Artist’s Studio

Marking op art’s takeover from the passe machismo of abstract expressionism, Riley’s pulsing exe...

David Hockney: Bigger & Closer (Not Smaller & Further Away)

At the new Lightroom, which uses wraparound sight and sound, David Hockney himself guides us through...

Adelaide Cioni – interview: ‘My work is about the origins of drawing a...

Adelaide Cioni talks about her interest in patterns, and how these relate to something deep inside u...

Nalini Malani: My Reality Is Different

This spectacular show plays out in a deep black gallery space, where through nine large video instal...

Ravelle Pillay: Idyll

Ravelle Pillay’s paintings have a washy tranquillity beneath which violence lurks, as she explores...

Péju Alatise – interview: ‘My relationship with Nigeria is like a bat...

Having recently moved to the UK from Nigeria, Peju Alatise talks about growing up in Lagos, her camp...

Leanne McDonagh – interview: ‘My work has always been about who I am a...

Leanne McDonagh discusses how a residency at Cork Printmakers in Ireland, as part of a project suppo...

Marc Camille Chaimowicz: Nuit Américaine

From house party to lockdown: for his retrospective at Wiels, the London-based artist Marc Camille C...

Mike Nelson: Extinction Beckons

A spectacular survey of the British artist Mike Nelson is brutally bleak and awe-inspiringly complex...

David Blandy: Atomic Light

Drawing on family lore, David Blandy’s four provocative films take us from the horrors of the atom...

Sonia Boyce: Feeling Her Way

Now on show at Turner Contemporary, Sonia Boyce’s immersive multimedia installation, which won the...

Shanti Panchal – interview: ‘It’s a meditative process, a layering o...

Shanti Panchal discusses the enduring power of painting, the evolution of his watercolour technique,...

Dhaka Art Summit 2023

For its sixth iteration, themed ‘বন্যা/Bonna’, or flood, the biennial exhibition explo...

Ilse Garnier: a e i o u and Concrete Experience

Two exhibitions now on at the museum relate to text-based works by female poets of the second half o...

Alice Neel: Hot Off the Griddle

In her intimate portraits, with an unflinching eye, Alice Neel lays bare the souls of her sitters. H...

Marcelle Hanselaar – interview: ‘To do nothing, to not at least take t...

Marcelle Hanselaar, 20 of whose works are now on show at the Fitzwilliam Museum, talks about the pow...

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